From The Outside tab by Bert Jansch

From the Outside
by Bert Jansch

Album: From the Outside

Standard tuning. No capo. 4/4 time.

This tab is one run through the main piece.
The recording then repeats from Bar 7 with
variations then Bert plays the whole again
with some more variations. These variations
are only slight and should be relatively
easy to figure out.
The brackets above Bar 6 enclose the quiet
little bit that Bert plays. It is not essential
to the piece but I thought you might want to
know it. (I am not entirely sure of its accuracy
as it is a little too quiet to tell, but it is
just about right.)
The bend in Bar 7 is difficult but I am convinced
this is correct.
As regards playing it, I pick some of it closer
to the bridge to get that sharper sound.

h = hammer-on    p = pull-off
b = bend note

1
|--------------------|-------------------|
|--------------------|-------------------|
|--0---0------2------|--0----------0-----|
|------2---------3---|------2---------2--|
|--3-----------------|--3----------------|
|----------1---------|----------3--------|

3
|--------------------|-------------------|
|-------------1---0--|--1----------------|
|--0---0--0----------|-------------0-----|
|------2-------------|------2---------2--|
|--3-----------------|--3----------------|
|-------------1---3--|----------3--------|

5             (    )
|--1---1---0---------|------------------------|
|----------1---------|--3-------------1-------|
|------2----------0--|----------------0-----0-|
|--------------2-----|-----0-------0-----2----|
|----------3---------|---------0h2----3-------|
|--1-----------------|--3----3----------------|

7
|--0---------------------|--------------------|
|-----b3-----1-----------|--------------------|
|------------------2-----|--0-----------0-----|
|---------2--------------|-------2---------2--|
|--3------------3--------|--3-----------------|
|---------------------1--|-----------3--------|

9
|--3-----------3---5--|--3---------0--------|
|-----1-----1---------|---------------------|
|--------0------------|--------0---------0--|
|--------------2---3--|-----2---------2-----|
|--3------------------|--3---------3--------|
|---------------------|---------------------|

11
|-----------------0--------|--1---1--------------|
|--1---1-------3-----------|------------------1--|
|--0-------0------------0--|--------------2------|
|------2-------------2-----|------3-----------3--|
|--3-----------3-----------|---------------------|
|--------------------------|--1-------1----------|

13
|--0-------------------|--------------------------|
|----------3p1---------|------1-------3-----1-----|
|----------------0-----|--2--------------------2--|
|-------------------2--|----------3------------3--|
|--3---3---------------|--------------------------|
|----------------------|--1--------------1--------|

15
|---------------------|------------------------|
|---------------------|------------------------|
|--0------------------|------------------------|
|------0-------3------|--0--0--0------0-----0--|
|---------------------|------------0-----2-----|
|--3-------3-------1--|--3---------------------|

17
|-----------------1--|--3--------------------|
|-------------1------|-----------------1-----|
|--0---0---0---------|----------0------------|
|------2-------------|------2-------------2--|
|--3-----------------|--3--------------------|
|-------------1---3--|--------------3--------|

19
|--1--1-------0--------|-----------------------|
|---------1---1--------|--3----------1---------|
|-------------------0--|---------0---------0---|
|-----3----------2-----|------0---------2------|
|-------------3--------|-------------3---------|
|--1-------------------|--3--------------------|

James Calton, Sheffield, England, 2004.

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