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Still Got The Blues Tab by Gary Moore

Still Got The Blues tab by Gary Moore

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Guitar Tab

Still Got The Blues
  by
Gary Moore

in 6/8 time which is 2 triplets per measure.
Intro and verse progression:
Dm7                  Dm7/G              Cmaj7              Fmaj7
|----------1-------|----------1-------|----------0-------|----------0-------|
|-------1-----1----|-------1-----1----|-------0-----0----|-------1-----1----|
|----2-----------2-|----2-----------2-|----0-----------0-|----2-----------2-|
|-0----------------|------------------|------------------|-3----------------|
|------------------|------------------|-3----------------|------------------|
|------------------|-3----------------|------------------|------------------|
  |__|__|  |__|__|   |__|__|  |__|__| etc.

Bm7b5               E7                  Am
|----------1-------|----------0-------|------------------|---------------|
|-------3-----3----|-------0-----0----|----------1-------|---------------|
|----2-----------2-|----1-----------1-|-------2-----2----|---------------|
|------------------|------------------|----2-----------2-|---------------|
|-2----------------|------------------|-0----------------|-0----------7--|
|------------------|-0----------------|------------------|-------5--8----|
Chorus:   ("So long, it was so long ago......")
|Am      |Em    |Am    |D9    |F9    |E7#9    |Am    |      |

Bridge:
|Bm7    |Bm/E   |Am  Am/B  |Am/C   |Bm7    |Bm7/E   |Fmaj7  Em7  |Dm7   |Am   |
|       |

Chords
Dm7   Dm7/G   Cmaj7   Fmaj7   Bm7b5   D9   F9   E7#9  Bm7  Em7
-1------1-------0-------0-------1----------------------2----0
-1------1-------0-------1-------3------5---8------8----3----0
-2------2-------0-------2-------2------5---8------7----2----0
-0------0-------2-------3--------------4---7------6----4----0
----------------3---------------2------5---8------7----2----2
--------3---------------------------------------------------0

Here is the lead riff you hear for the intro and repeated with slight changes
throughout. Listen to the record for the timing. 17b18 means bend the 17th fret
to the 18th fret.  18r17 means release the bend from the 18th to the 17th fret.
             Dm7                      Dm7/G              Cmaj7
-----------|------------------------|------------------|--------------------|
----15--17-|-17b18--------18r17--17-|-15--------13--15-|-15b17------15b17---|
-14--------|------------------------|------------------|--------------------|
-----------|------------------------|------------------|--------------------|
-----------|------------------------|------------------|--------------------|
-----------|------------------------|------------------|--------------------|

Fmaj7                 Bm7b5                 E7                 Am
|--------------------|--------------------|------------------|---------------|
|-13------10--12--13-|-13b15-------13b15--|-12--------10-----|---------------|
|--------------------|--------------------|---------------12-|-12b14---------|
|--------------------|--------------------|------------------|---------------|
|--------------------|--------------------|------------------|---------------|
|--------------------|--------------------|------------------|---------------|


|--------------|
|--------------|
|-(12)-----\---|
|--------------|
|--------------|
|--------------|

Verse 1
Used to be so easy to give my h....

V2
I found out that love, is no friend of ....

Chorus:
So long it was so long ago, but I ....
V3
Used  to be so easy to fall in love again.  But I found ....

V4
But I found that love was more than ....

repeat chorus.

Bridge:
So many years since I've seen your face, ....
Repeat chorus.

ALternate chorus:
Though the days come and go, there is ....

***************************************************
*I'm a crosscut saw, baby drag me across your log!*
***************************************************

Last updated:

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About this song

"Still Got the Blues" by Gary Moore features a soulful guitar solo that showcases his signature vibrato technique and emotional playing style. The song's melancholic tone is emphasized by the use of a blues scale and minor chords throughout. Moore's powerful vocals complement the guitar work, creating a haunting atmosphere. The track also features a prominent bassline that adds depth to the overall sound.