Tuning: Standard (E A D G) 112 bpm 4/4 measure Intro: G|-----5-------------5-------------------------------------------------------| D|-0-5----0-7----0-5----0--5-7-----------------------------------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------| x 2 Verse 1: G|-----5-------------5-------------------------------------------------------| D|-0-5----0-7----0-5----0--5-7-----------------------------------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------| x 4
Verse 2: G|---------------------------------------------------------------------------| D|--------------------------12--------------------------------10-------------| A|-------------12---------------------------12-------------------------------| E|-10-10----13-------10-13-------10-10----13-------10--13-13-----------------| G|---------------------------------------------------------------------------| D|--------------------------12-----------------------------------------------| A|-------------12---------------------------12-------------------------------| E|-10-10----13-------10-13-------10-10----13-------10--13-13-----------------| You're going to want to use your ears for this one. The verse 2 bass line is played usually when pianoes or the synths kick in. Verse 1 bass line is played inbetween and the amount of times you play the bass line changes too. Verse 3: G|---------------------------------------------------------------------------| G|---------------------------------------------------------------------------| D|--------------------------12--------------------------------10-------------| A|-------------12---------------------------12-------------------------------| E|-10-10----13-------10-13-------10-10----13-------10--13-13-----------------| Play the verse 3 bass line when the vocals kick in until the end of the song.