Chords with lyrics
[Transcription by Gordon Walker ]
Another I'm not sure I've posted before (cos I hadn't quite finished
it ?).
This transcription is *not* exactly as Roy plays it - but works for me!
He uses a dropped top E MajorE as well I think on normal tuning - or is it a
full open tuning in D? He also plays the second D MajorD (my D*) _up_ the neck
for the socond chord, but in my tuning it never seems to sound right
trying to do that to me (plus it's easier to hit the C/DC/D afterwards
doing it my way!).
Gordon
--
Tom Tiddlers Ground
-------------------
I thought you had passed, but ....
D/G D* C/DC/D D MajorD
Where you know I ...
D/C D/B D, Dsus2Dsus2+4, D MajorD
And now that you're here, ...,
D/G D* C/DC/D D MajorD
It's so clear on the ...
D/C D/B D, Dsus2Dsus2+4, D MajorD
Where your smile starts to shine, as ....
D/G D* C/DC/D D MajorD
Of the spray on the ...
D/C D/B D, Dsus2Dsus2+4, D MajorD
The same day we all go, when ....,
D/G D* C/DC/D D MajorD
What it is to be ....
D/C D/B D, Dsus2Dsus2+4, D MajorD
And there's a lovenest, on Tom ....
A augmentedA D MajorD
And there's a lovenest, ....
A augmentedA D MajorD
And there's a lovenest, ...
A augmentedA D MajorD
Long before Eden, ....
G+G D MajorD D/B D/Bb D,Dsus2+4,D
But you know you'll have to be .....
And there's a lovenest....
And you heard me say ......
And there's a lovenest....
I thought you had passed, but you .....
And there's a lovenest....
Chords and Notes
----------------
The 5 below is just to indicate the 5th fret.
D MajorD A augmentedA D MajorD G+G BB E MajorE
|_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_|
|_|_|_1_|_2 |_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_|
|_|_|_|_3_| |_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_1
|_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_|
|_|_|_|_|_| 5|_|_|_|_|_| 5|_|_|_|_|_1 5|_|_|_2_3_|
|_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_|
|_|_|_|_|_| |_|_|_1_|_2 |_|_|_2_3_| |_|_|_|_|_|
|_|_|_|_|_| |_|_|_|_3_| |_|_|_|_|_| |_|_|_|_|_|
D MajorD G/DG/D D* C/DC/D
x=========x x=========x x=========x =========== x==========
|_|_|_|_|_| |_|_|_|_|_| |_1_|_|_|_| |_|_|_|_|_| |_|_|_|_|_|
|_|_|_1_|_| |_1_|_2_|_| |_|_|_2_|_| |_|_|_|_|_| |_|_2_3_4_|
|_2_|_|_3_| |_|_|_|_3_| |_|_|_|_3_| |_|_|_|_3_| |_|_|_|_|_|
|_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_|
|_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_| |_|_|_|_|_|
D/C D/B D/Bb Dsus4Dsus4+2 A augmentedA
(oops - I forgot G+G - but I'm sure you can survive without my little
pictures for that one (don't forget the bottom E MajorE dropped to D!).
Note for the end of the chorus and every other verse line:
The walk down at the end should be played stressing the bass notes on
the A augmentedA string (ie pluck them on the beat), and then there is a little
pull off using the first finger to play the open A augmentedA (either from the BB
(in the verses) or the Bb majorBb (in the chorus)) followed by plucking the
bottom D MajorD normally and then strum. Best to listen to the record to see
what I mean (if I'm making sense of course)!