Tabs
Burial on the Presidio Banks
From the Album "This Will Destroy You"
Copyright 2008 - Magic Bullet Records
Music by:
Jeremy Galindo
Chris King
Donovan Jones
Andrew Miller
Note: Here is Jeremy's part to Burial. I couldn't be bothered to tab out
Chris' part, as I do not have an ebow. I may add to this in the future, or
if anybody else wants to tab it, feel free to do so and I will add it here
myself and give you credit.
Any questions, comments, etc, feel free to drop me an e-mail at:
catastrophe.and.the.cure AT live DOT com
replace the "AT" and "DOT" with the appropriate symbols :)
More post-rock tabs on the way, so stay tuned!
BURIAL ON THE PRESIDIO BANKS
Tuning (low to high): d#
Jeremy
(0:00)
|------------------------------------|
|------------------------------------|
|----7--------2--------3--------2----|
|------------------------------------|
|------------------------------------|
|----8--------3--------5--------3----|
|-------------------------------------|
|-------------------------------------|
|----7----8----2--------3--------2----|
|-------------------------------------|
|-------------------------------------|
|----8---------3--------5--------3----|
(0:38)
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|----8--------5--------3-----------------1--------3----|
|-------------------------------3----------------------|
(1:45)
|----------------------------------------|---------|
|----------------------------------------|---------|
|---------------------------------------.|---------|
|---------------------------------------.|---------|
|----8--------5--------8--------3--------|----1----|
|----------------------------------------|---------|
-drum fill-
Note: notes on low 
E MajorE are optional here, really. They are played on the
recording, however you may find it sounds better if you don't play them.
Give it a try and see what you like best.
(1:54)
|--------------------------------------------------|
|---------3---------3------------------------------|
|--------------3--------3----2h3---------2---------|
|----------------------------3------0----3----3----|
|----1-----------------------------------0---------|
|----------------------------------------0---------|
|-----------------------------------------------------------|
|-----------------------------------------------------------|
|----0---------2--------------3--------------2--------------|
|----1---------3---------0----5--------------3---------0----|
|----1----1----3----3---------5----5----5----3----3---------|
|----1---------3--------------5--------------3--------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|----0---------2-------------0h2----3--------------2-------------------|
|----1---------3--------0-----------5--------------3---------0---------|
|----1----1----3----3---------------5----5----5----3----3---------3----|
|----1---------3--------------------5--------------3-------------------|
(3:18)
|------------------------------------|
|------------------------------------|
|----3--------2-----------------0----|
|----------------------3-------------| x3
|------------------------------------|
|----5--------3--------0--------1----|
|------------------------------------|
|------------------------------------|
|----3--------2--------7--------0----|
|------------------------------------| x1
|------------------------------------|
|----5--------3--------8--------1----|
(3:51)
(repeat until 5:10,
gradually increase in volume and intensity)
|------------------------------------|
|------------------------------------|
|----3--------2--------2--------0----|
|----5--------3--------3--------1----|
|----5--------3--------0--------1----|
|----5--------3--------0--------1----|
(at 5:10, add this fill after every repeat of the above
until 5:40)
|-----------------------------------|
|----3--------4-----------3---------|
|---------0--------2h3---------3----|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|
(5:50)
|------------------------------------|
|------------------------------------|
|----3--------2--------2--------0----|
|----5--------3--------3--------1----|
|----5--------3--------0--------1----|
|----5--------3--------0--------1----|
|-------------------------------------|
|-------------------------------------|
|----3--------2--------7--------8-----|
|----5--------3--------8--------10----|
|----5--------3--------8--------10----|
|----5--------3--------8--------10----|
|-------------------------------------|
|-------------------------------------|
|----8---------7--------3--------2----|
|----10--------8--------5--------3----|
|----10--------8--------5--------3----|
|----10--------8--------5--------3----|
|-------------------------------------|
|-------------------------------------|
|----8---------7--------3--------2----|
|----10--------8--------5--------3----|
|----10--------8--------5--------3----|
|----10--------8--------5--------3----|
(Strum last chord; build and lead into 6:26)
(6:26)
Distortion on!
Very simple here, just play it as loud as possible.
Each "chord" is played 8 times
|----------------------------------------------|
|----------------------------------------------|
|----8-----7----3----2----8-----7----0----2---.|
|----10----8----5----3----10----8----1----3---.|
|----10----8----5----3----10----8----1----0----|
|----10----8----5----3----10----8----1----x----|
(7:32)
Let ring and fade into feedback
|----------|
|----------|
|----8-----|
|----10----|
|----10----|
|----10----|
