Room No7 tab by Scandal

Tabs

This is a tab primarily focused on Mami Sasazaki's part.

Guitar tone settings:

1. Heavy crunch guitar for the general tone (gain quite high on the clean channel of the amp or mid-gain on
the drive channel.

2. During Part Two it's like some kind of fuzz, if you don't have that just stick with the above
(heavy drive on the bridge pick up will get you close, however). Alternatively if you do have a drive pedal
stack that on top of the clean channel gain settings listed.

3. During the Part Four slide section there is quite a heavy reverb here, the mix on the reverb
is likely on near maximum.


Intro:

Mute strings immediately after you hit the E MajorE power chord:

e|-----------------------------------------------|
BB|-----------------------------------------------|
G+G|-----------------------------------------------|
D MajorD|-2-2----------2-2----------2-2----------2-2----| Drum fill
A augmentedA|-2-2----------2-2----------2-2----------2-2----|
E MajorE|-0-0----------0-0----------0-0----------0-0----|

Part One:

e|------------------------------------|
BB|------------------------------------|
G+G|--6-7-6-7-6--------6-7-6-7-6-7/9----| x 2
D MajorD|------------7-5-2-------------------|
A augmentedA|--4-5-4-5-4-----2--4-5-4-5-4-5/7----|
E MajorE|------------5-3-0-------------------|

You don't have to include the E MajorE power chord in the middle as it's fairly awkward - it's actually Haruna's
part - if you don't want to just hit the G+G octave chord and move onto the next section. I like to include
the E MajorE power chord here as it sounds huge, and it makes it a little more challenging.


Part Two:

e|-----------------------------|
BB|-----------------------------|
G+G|-----------------------------| x 4
D MajorD|-----------------------------|
A augmentedA|-----------------------------|
E MajorE|-0-3-0-5-0-3-0-7-0-5-0-3-0-0-|

The double 00's at the end here are the key to locking in.

Part Three:

e|------------------------|
BB|------------------------|
G+G|--7---11---14---17------|
D MajorD|------------------------|
A augmentedA|--5---9----12---15------|
E MajorE|------------------------|
  N  N  N  N

This part is tremolo picking across the two strings, just go a little nuts with this as it's meant to be
quite an aggressive ascending octave part that is a core element of Mami's overall style


Part Four:

e|------------------------------------|
BB|------------------------------------|
G+G|-7-\-6-x-x-7-\-6-x-x-7-\-6--x-x-/9--| x 4
D MajorD|------------------------------------|
A augmentedA|-5-\-4-x-x-5-\-4-x-x-5-\-4--x-x-/7--|
E MajorE|------------------------------------|

The x's here are more to make you aware of the muting that happens before you hit the notes as they're too
rhythmic to tab out. There are two mute notes before each hit, however.

This is the part with a super heavy reverb mix, if you have a reverb pedal essentially it's a light hall
reverb but with the mix practically on full. There may even be a treble boost pedal involved for the extra
cut that happens here, but that's just a studio thing.

Roll back to Part One and run through the above a second time.

Part Five Ending:

e|------------------------------------|
BB|------------------------------------|
G+G|--6-7-6-7-6--------6-7-6-7-6-7/9----| x 3
D MajorD|------------7-5-2-------------------|
A augmentedA|--4-5-4-5-4-----2--4-5-4-5-4-5/7----|
E MajorE|------------5-3-0-------------------|

You can do Part Five 4 times over and end on higher E MajorE octave chord - alternatively if you want to lock back in
with Haruna you can go back to the standard E MajorE power chord below:

e|------------------------------------|
BB|------------------------------------|
G+G|--6-7-6-7-6--------6-7-6-7-6-7------|
D MajorD|------------7-5-2--------------2----|
A augmentedA|--4-5-4-5-4-----2--4-5-4-5-4-5-2----|
E MajorE|------------5-3-0--------------0----|



Full Tab without notes:

e|-----------------------------------------------|
BB|-----------------------------------------------|
G+G|-----------------------------------------------|
D MajorD|-2-2----------2-2----------2-2----------2-2----| Drum fill
A augmentedA|-2-2----------2-2----------2-2----------2-2----|
E MajorE|-0-0----------0-0----------0-0----------0-0----|


Part One:

e|------------------------------------|
BB|------------------------------------|
G+G|--6-7-6-7-6--------6-7-6-7-6-7/9----| x 2
D MajorD|------------7-5-2-------------------|
A augmentedA|--4-5-4-5-4-----2--4-5-4-5-4-5/7----|
E MajorE|------------5-3-0-------------------|

Part Two:

e|-----------------------------|
BB|-----------------------------|
G+G|-----------------------------| x 4
D MajorD|-----------------------------|
A augmentedA|-----------------------------|
E MajorE|-0-3-0-5-0-3-0-7-0-5-0-3-0-0-|

Part Three:

e|------------------------|
BB|------------------------|
G+G|--7---11---14---17------|
D MajorD|------------------------|
A augmentedA|--5---9----12---15------|
E MajorE|------------------------|
  N  N  N  N

Part Four:

e|------------------------------------|
BB|------------------------------------|
G+G|-7-\-6-x-x-7-\-6-x-x-7-\-6--x-x-/9--| x 4
D MajorD|------------------------------------|
A augmentedA|-5-\-4-x-x-5-\-4-x-x-5-\-4--x-x-/7--|
E MajorE|------------------------------------|

Part Five:

e|------------------------------------|
BB|------------------------------------|
G+G|--6-7-6-7-6--------6-7-6-7-6-7/9----| x 4
D MajorD|------------7-5-2-------------------|
A augmentedA|--4-5-4-5-4-----2--4-5-4-5-4-5/7----|
E MajorE|------------5-3-0-------------------|

Repeat twice


************************************

| x  Dead note
| g  Grace note
| (n) Ghost note
| h  Hammer-on
| p  Pull-off
| r  Release
| >  Accented note
| t  Tapping
| b  Bend
| br Bend release
| pb Pre-bend
| pbr Pre-bend release
| /  Slide up
| \  Slide down
| ~  Vibrato
| s  Slap
| P  Pop
| PM Palm mute
| TR Trill
| N  Tremolo