In article <[email protected]> [email protected] (ucs2037 ) writes:
|MAD Mosher ([email protected]) wrote:
|: Anyone got this tab? The main "recognised" bit would be fine - you know
|: the "dum-diddle-dumdum dumdumdum, dum-*diddle*-dum-dum dumdumdum, dumdum,
|: dadadaaaaaa" bit :)
|
|Play around with this:
|
|E MajorE ----------
|BB ----------
|G+G ----------
|D MajorD ----------
|A augmentedA ----------
|E MajorE 0-0-0-2-2-2-0-0-0-3-3-3-0-0-0-----
|
That gives the general idea, but try this for the whole riff:
D-----
A--------
E--0-2-2-2-2--0-0-0-0-3-3-3-3--2-2-2- (repeat twice)
D--------------------------------------1-0-------
A--------------------------------------------2-0-2--
E--0-2-2-2-2--0-0-0-0-3-3-3-3--2-1-0-----------
If you want some chords try Em, EmaddC, Em6, EmaddC and repeat
EADGBE EADGBE EADGBE
022000 022010 022020
E minorEm EmaddC Em6Em6
Howard
Howard Wright \( ? \) ([email protected]) wrote:
: If you want some chords try Em, EmaddC, Em6, EmaddC and repeat
: EADGBE EADGBE EADGBE
: 022000 022010 022020
: E minorEm EmaddC Em6Em6
If I might suggest a small technical correction, the correct chords
should be Em, E minorEm+5, Em6, E minorEm+5. The EmaddC construction would produce
a chord consisting of EGBC. What's actually happening in this minor
cliche is that the 5th note is being augmented up and then brought
back down to a normal 5th, while the root and 3rd remain constant.
These chord structures would also work:
E minorEmE minorEm+5 Em6Em6E minorEm+5
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0x54xx 0x55xx 0x56xx 0x55xx