Tabs
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Hi
Here's TAB for Sally Goodin, a traditional fiddle tune, and a
Texas-style/Western Swing accompaniment for it. This is from the
article "Swinging With Sally Goodin" by Jim Wood, from the Sept/Oct
1990 issue of Acoustic Guitar magazine.
I have TABbed the melody as if it were played in G. The accompaniment
is in A, though, so you'll have to capo at the second fret to make the
melody work with the accompaniment. It's in 2/4. So each "|" above the
staff represents an eighth note.
Sally Goodin (traditional)
arr. Jim Wood, TAB by Bo Parker [email protected]
Melody:
(Don't worry about the chord symbols - fingerings are given below.
D#o7 means D#D# diminished 7th.)
A augmentedA A9/C# D MajorD D#o7 A augmentedA A#o7 Bm7Bm7 E7E7
| | | | | | | | | | | | | | | |
|-----------------|-----------------|-----------------|-----------------|
|---0---0---------|---0-------------|---0---0---------|-----------------|
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-|
|-----------------|---------2-------|---------------2-|-0---0-0-2-------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|
A augmentedA A9/C# D MajorD D#o7 E7E7 F# minorF#m E7/G# A augmentedA
| | | | | | | | | | | | | | | |
|-----------------|-----------------|-----------------|-----------------|
|---0---0---------|---0-------------|---0---0---------|-----------------|
|-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-|
|-----------------|---------2-------|---------------2-|-0---0-0-2-------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
A augmentedA A7/GA7/G D/F#D/F# Dm/F A/EA/E D#o7 E7/D E7/BE7/B
| | | | | | | | | | | | | | | |
|-----------------|---3-0-----------|---3-0-----------|-----------------|
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------|
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-|
|-----------------|-----------------|---------------2-|-0---0-0-2-------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
A augmentedA A9/C# D MajorD D#o7 E7E7 E7/BE7/B E7/G# A augmentedA
| | | | | | | | | | | | | | | |
|-----------------|---3-0-----------|---3-0-----------|-----------------|
|-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------|
|-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-|
|-----------------|-----------------|---------------2-|-0---0-0-2-------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
OK - now the accompaniment. Note the nice walking bass lines. The
whole thing is done bass-strum, bass-strum, etc.
A augmentedA A9/C# D MajorD D#o7 A augmentedA A#o7 Bm7Bm7 E7E7
| | | | | | | | | | | | | | | |
|-----------------|-----2-------2---|-----------------|-----2-------0---|
|-----2-------5---|-----3-------1---|-----2-------2---|-----3-------0---|
|-----2-------4---|-----2-------2---|-----2-------0---|-----2-------1---|
|-----2-------5---|-0-------1-------|-----2-------2---|----(0)------0---|
|-0-------4-------|-----------------|-0-------1-------|-2-----------2---|
|-----------------|-----------------|-----------------|---------0-------|
A augmentedA A9/C# D MajorD D#o7 E7E7 F# minorF#m E7/G# A augmentedA
| | | | | | | | | | | | | | | |
|-----------------|-----2-------2---|-----3-------5---|-----7-------5---|
|-----2-------5---|-----3-------1---|-----3-------5---|-----5-------5---|
|-----2-------4---|-----2-------2---|-----4-------6---|-----7-------6---|
|-----2-------5---|-0-------1-------|-2-------4-------|-6-------7-------|
|-0-------4-------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
A augmentedA A7/GA7/G D/F#D/F# Dm/F A/EA/E D#o7 E7/D E7/BE7/B
| | | | | | | | | | | | | | | |
|-----5-------5---|-----------------|-----------------|-------------0---|
|-----5-------5---|-----7-------6---|-----5-------7---|-----5-------0---|
|-----6-------6---|-----7-------7---|-----6-------5---|-----4-------1---|
|-7-------5-------|-----7-------7---|-----7-------7---|-----6-------0---|
|-----------------|-9-------8-------|-7-------6-------|-5-------2-------|
|-----------------|-----------------|-----------------|-----------------|
A augmentedA A9/C# D MajorD D#o7 E7E7 E7/BE7/B E7/G# A augmentedA
| | | | | | | | | | | | | | | |
|-----------------|-----2-------2---|-----------------|-----------------|
|-----2-------5---|-----3-------1---|-----5-------5---|-----3-------2---|
|-----2-------4---|-----2-------2---|-----7-------7---|-----4-------2---|
|-----2-------5---|-0-------1-------|-----6-------6---|-----2-------2---|
|-0-------4-------|-----------------|-7---------------|---------0-------|
|-----------------|-----------------|---------7-------|-4---------------|
Enjoy!
See ya
-Bo Parker
[email protected]
I do not speak for my employer, whoever that is.
``Squid eating dough in a polyethylene bag is fast & bulbous.''
``Got me?