Full Hamilton Act I chords by Lin-Manuel Miranda

Tuning: Standard (E A D G B E)

BURR:

            Bm
How does a bastard, orphan, son of a whore and a
F#
Scotsman, dropped in the middle of a
           G
Forgotten spot in the Caribbean by providence
                   D
Impoverished, in squalor
                Bbdim
Grow up to be a hero and a scholar?

LAURENS:

     Bm
The ten-dollar founding father without a father
       F#
Got a lot farther by working a lot harder
            G
By being a lot smarter

By being a self-starter
      D                          Bbdim
By fourteen, they placed him in charge of a trading charter


JEFFERSON:

     Bm
And every day while slaves were being slaughtered and carted
 F#
Away across the waves, he struggled and kept his guard up
  G
Inside he was longing for something to be a part of
     D                         Bbdim
The brother was ready to beg, steal, borrow, or barter


MADISON:

        Bm
Then a hurricane came, and devastation reigned
     F#
Our man saw his future drip, dripping down the drain
       G
Put a pencil to his temple, connected it to his brain
        D                          F#sus4          F#
And he wrote his first refrain, a testament to his pain


BURR:

          Bm
Well the word got around, they said, "This kid is insane, man"
F#
Took up a collection just to send him to the mainland
G
"Get your education, don't forget from whence you came
          D                      Bbdim
and the world is gonna know your name. What's your name, man?"


HAMILTON:

Bm
Alexander Hamilton
            F#
My name is Alexander Hamilton
              G
And there's a million things I haven't done
              D              F#
But just you wait, just you wait...


ELIZA:

            Bm
When he was ten his father split, full of it, debt-ridden
     F#                                                   G
Two years later, see Alex and his mother bed-ridden half-dead

Sittin' in their own sick, the scent thick


COMPANY:

N/A
And Alex got better but his mother went quick


WASHINGTON:

Bm
Moved in with a cousin, the cousin committed suicide
F#
Left him with nothin' but ruined pride, something new inside
  G
A voice saying


WASHINGTON:                     //    COMPANY:
"You gotta fend for yourself"    //    "Alex, you gotta fend for yourself"


WASHINGTON:

               D                         Bbdim
He started retreatin' and readin' every treatise on the shelf


BURR:

     Bm
There would have been nothing left to do

For someone less astute, he woulda been
F#
Dead or destitute without a sense of restitution
         G
Started workin', clerkin' for his late mother's landlord
D                              Bbdim
Tradin' sugar cane and rum and all the things he can't afford
Bm
Scammin' for every book he can get his hands on
F#
Plannin' for the future see him now as he stands on
    G
The bow of a ship headed for a new land
   D                Bbdim
In New York you can be a new man


COMPANY:

  Bm
In New York you can   //  (HAMILTON)

Be a new man          //  Just you wait
   G7
In New York you can   // (HAMILTON)

Be a new man          //  Just you wait
   Em9
In New York you can

Be a new man


WOMEN:

   F#
In New York--


MEN:
New York


HAMILTON:
Just you wait!


COMPANY:

Bm
Alexander Hamilton (Alexander Hamilton)
        G7
We are waiting in the wings for you (waiting in the wings for you)
           Em
You could never back down
                                F#
You never learned to take your time
     Bm
Oh, Alexander Hamilton (Alexander Hamilton)
      G7
When America sings for you
           Em
Will they know what you overcame?
           D                   Em
Will they know you rewrote the game?
     Bm/F#      Em/G    D/A      F#7/A
The world will never be the same, oh


BURR:

   Bm
The ship is in the harbor now  //  (COMPANY)
Bm/C#
See if you can spot him        //  Just you wait
 Bm/D
Another immigrant
    Em
Comin' up from the bottom      //  Just you wait
     Em/G
His enemies destroyed his rep
Em/C#
America forgot him


MULLIGAN/MADISON & LAFAYETTE/JEFFERSON:

F#sus4   F#
We fought with him


LAURENS/PHILLIP:

F#sus4      F#
Me? I died for him


WASHINGTON:

Bm9/F#       F#
Me? I trusted him


ELIZA & ANGELICA & PEGGY/MARIA:
Em6/F#       F#
Me? I loved him


BURR:

      F#
And me? I'm the damn fool that shot him


COMPANY:
           Em/G                            D
There's a million things I haven't done
             Em6/F#
But just you wait!


BURR:
F#7
What's your name, man?


COMPANY:

Bm
Alexander Hamilton!

Bm


AARON BURR SIR

  C Am Em      C Am Em
Company: 1776,       New York City!

           C                   Am
Hamilton: Pardon me. Are you Aaron Burr, sir?
             Em
Burr: That depends. Who’s asking?
                               C                           Am
Ham:Oh, well, sure, sir I’m Alexander Hamilton, I’m at your service, sir
            Em
I have been looking for you

Burr:I’m getting nervous
            C                                   Am                               Em
Ham:Sir, I heard your name at Princeton. I was seeking an accelerated course of study
                                                C
when I got sort of out of sorts with a buddy of yours. I may have punched him.
       Am            Em
It’s a blur, sir. He handles the financials?

Burr: You punched the bursar?

             C                               Am                            Em
Ham: Yes! I wanted to do what you did. Graduate in two, then join the revolution.

He looked at me like I was stupid, I’m not stupid
C                             Am
So how’d you do it? How’d you graduate so fast?
    Em
Burr: It was my parents’ dying wish before they passed
   C                                   Am
Ham:You’re an orphan. Of course! I’m an orphan. God, I wish there was a war!
Em
Then we could prove that we’re worth more than anyone bargained for
   C               Am
Burr:Can I buy you a drink? Ham: That would be nice
    Em
Burr: While we’re talking, let me offer you some free advice

    C     Am               Em
Burr: Talk less Ham: What? Burr: Smile more Ham: Huh
   C                  Am               Em
Burr:Don’t let them know what you’re against or what you’re for
      C            Am                 Em
Ham: You can’t be serious Burr: You wanna get ahead?
                C                   Am                 Em
Ham:Yes Burr: Fools who run their mouths off wind up dead

                               C
Laurens: Yo yo yo yo yo! What time is it?
                              Am
Lau/Lafayette/Mulligan: Show time!
               Em
Burr: …like I said…

Lau: Showtime! Showtime!


Beatbox


               Cm
Lau/Laf/Mull: Ooh! Lau: Who are you? Mull: Who are you? Laf: Who are you?

               Dm                     D#              D
Lau/Laf/Mull: Oooh, who is this kid? What's he gonna do?

MY SHOT

     Gm                       Gm Am
I am not throwing away my shot
     Bb                       Bb
I am not throwing away my shot
    Bdim    Cm
Hey yo, I'm just like my country
I'm young, scrappy, and hungry
    Dm  Eb
And I'm not throwing away my shot

D

            Gm
I'mma get a scholarship to King's College
     Gm       Am                Bb
I probably shouldn't brag, but dag, I amaze and astonish
     Bb        Bdim    Cm
The problem is I got a lot of brains, but no polish
   Cm        Dm            Eb
I gotta holler just to be heard
With every word I drop knowledge

      Gm
I'm a diamond in the rough, a shiny piece of coal
Am        Bb                                            Bdim     Cm
Tryin' to reach my goal, my power of speech: unimpeachable
                      Dm
Only nineteen, but my mind is older
      Eb                       D
These New York City streets getting colder, I shoulder
      Gm
Ev'ry burden, ev'ry disadvantage
                        Am    Bb
I have learned to manage. I don't have a gun to brandish
                       N.C.
I walk these streets famished
    Cm                  Dm
The plan is to fan this spark into a flame
     Eb                           D
But damn, it's getting dark, so let me spell out my name
I am the—


HAMILTON, LAFAYETTE, MULLIGAN, LAURENS:

Gm             Am
A-L, E-X, A-N, D
Bb
E-R—we are—meant to be


HAMILTON:

     Cm                       Dm
A colony that runs independently
           Eb                      D
Meanwhile, Britain keeps shitting on us endlessly
      Gm
Essentially, they tax us relentlessly
Am        Bb
Then King George turns around, runs a spending spree
Bdim     Cm                  Dm
He ain't never gonna set his descendants free
              Eb              D
So there will be a revolution in this century

N.C.
ENTER ME!


LAURENS, LAFAYETTE, MULLIGAN:

    Gm
(He says in parentheses)


HAMILTON:

Am       Bb
Don't be shocked when your history book mentions me
Bdim   Cm               Dm
I will lay down my life if it sets us free
  Eb                       D
Eventually you'll see my ascendancy


HAMILTON and (LAURENS):

         Gm                        Gm  Am
And I am not throwing away my shot (my shot)
     Bb                       Bb
I am not throwing away my shot (my shot)
    Bdim    Cm
Hey yo, I'm just like my country
I'm young, scrappy, and hungry


HAMILTON & LAURENS:

Dm      Eb                    D
And I'm not throwing away my shot


HAMILTON, MULLIGAN, LAURENS, LAFAYETTE:

Gm                        Gm  Am
I am not throwing away my shot
Bb                        Bb
I am not throwing away my shot
    Bdim    Cm
Hey yo, I'm just like my country
I'm young, scrappy, and hungry
    Dm  Eb                   D
And I'm not throwing away my shot
                    Gm
It's time to take a shot!


LAFAYETTE:

Gm                               Gm Am
I dream of life without the monarchy
Bb                                    Bb  Bdim
The unrest in France will lead to "onarchy"
Cm                                    Cm  Dm  Eb
"Onarchy?" How you say, how you s—Oh, anarchy!
                                   D
When I fight I make the other side panicky
With my


HAMILTON, MULLIGAN, LAURENS, LAFAYETTE:

Gm
Shot!


MULLIGAN:

Gm                           Am
Yo, I'm a tailor's apprentice
      Bb                                  Bdim
And I got y'all knuckleheads in loco parentis
     Cm                                          Dm
I'm joining the rebellion cuz I know it's my chance
    Eb                           D
To socially advance, instead of sewin' some pants
I'm gonna take a
HAMILTON, MULLIGAN, LAURENS, LAFAYETTE:
Gm
Shot!


LAURENS:

              Gm                 Am
Eh, but we'll never be truly free
   Bb                                                   Bdim
Until those in bondage have the same rights as you and me
Cm                                        Dm     Eb
You and I, do or die, wait till I sally in on a stallion
               D
With the first black battalion
Have another


HAMILTON, MULLIGAN, LAURENS, LAFAYETTE:

Gm
Shot!


BURR:

Gm                      Gm Am
Geniuses, lower your voices
    Bb                                 Bb    Bdim
You keep out of trouble, and you double your choices
    Cm                      Cm    Dm
I'm with you, but the situation is fraught
                            Eb
You've got to be carefully taught:
                               Gm
If you talk, you're gonna get shot!


HAMILTON:

Gm                     Am
Burr, check what we got
    Bb                               Bdim
Mr. Lafayette hard rock like Lancelot
             Cm
I think your pants look hot
     Dm
Laurens, I like you a lot
              Eb                           D
Let's hatch a plot blacker than the kettle callin' the pot
             Gm                                         Am
What are the odds the gods would put us all in one spot
Bb
Poppin' a squat on conventional wisdom, like it or not
Bdim       Cm                 Dm        Eb
A bunch of revolutionary manumission abolitionists
N.C.
Give me a position, show me where the ammunition is

Oh, am I talkin' too loud?
Sometimes I get over excited, shoot off at the mouth
I never had a group of friends before
I promise that I'll make y'all proud


LAURENS:

Let's get this guy in front of a crowd!


COMPANY:

     Gm                        Am
I am not throwing away my shot
     Bb
I am not throwing away my shot
    Bdim    Cm
Hey yo, I'm just like my country
I'm young, scrappy, and hungry
        Eb                D
And I'm not throwing away my shot

     Gm                        Am
I am not throwing away my shot
     Bb
I am not throwing away my shot
    Bdim    Cm
Hey yo, I'm just like my country
I'm young, scrappy, and hungry
        Eb                D
And I'm not throwing away my shot


LAURENS and (HAMILTON, LAFAYETTE, MULLIGAN):

Everybody sing
Gm                                         Bb
Woah-woah, wo-oh-oh (Woah-woah, wo-oh-oh)
Hey
                    Cm
Wo-oh-oh (Wo-oh-oh)
Wooh!!
                    Eb
Wo-oh-oh (Wo-oh-oh)
                        D
Sing let 'em hear ya (Yeah)


LAURENS and (COMPANY):

           Gm                Am  Bb
Let's go! (Woah-woah, wo-oh-oh)
I said, shout it to the rooftops
  Bdim   Cm
(Wo-oh-oh)
Said to the rooftops
    Dm  Eb
(Wo-oh-oh)
Now come on
  D
(Yeah)
Now come on, let's go


LAURENS:

Gm
Rise up
                                 Am   Bb
When you're living on your knees, you rise up
                            Bdim   Cm
Tell your brother that he's got to rise up
                            Dm     Eb
Tell your sister that she's got to rise up


LAURENS & ENSEMBLE and (COMPANY):

          D                   Gm
When are these colonies gonna rise up
(Whoa, woah)
                        Am    Bb
When are these colonies gonna rise up (Woah)
                        Bdim  Cm
When are these colonies gonna rise up (Woah)
                        Dm    D#
When are these colonies gonna rise up (Woah)
D
Rise up


HAMILTON:

          Gm
I imagine death so much it feels more like a memory
                  Bb
When's it's gonna get me?
In my sleep? Seven feet ahead of me?
Cm
If I see it coming, do I run or do I let it be?
Eb                          D
Is it like a beat without a melody?
             Gm
See, I never thought I'd live past twenty
                  Bb
Where I come from some get half as many
            Cm
Ask anybody why we livin' fast and we laugh, reach for a flask
Eb                                D
We have to make this moment last, that's plenty

Gm
Scratch that
                                    Am  Bb
This is not a moment, it's the movement
                                                   Bdim
Where all the hungriest brothers with something to prove went
Cm                                 Dm
Foes oppose us, we take an honest stand
Eb                  D
We roll like Moses, claimin' our Promised Land

Gm                         Am
And? If we win our independence?
Bb                                        Bdim
'Zat a guarantee of freedom for our descendants?
Cm                                     Dm
Or will the blood we shed begin an endless
Eb                      D
Cycle of vengeance and death with no defendants?

Gm
I know the action in the street is excitin'
          Bb
But Jesus, between all the bleedin' 'n fightin'
                              Cm
I've been readin' 'n writin'
                                      Dm
We need to handle our financial situation
Eb                          D
Are we a nation of states? What's the state of our nation?

Gm                               Gm           Am       Bb
I'm past patiently waitin'! I'm passionately smashin' every expectation
               Bb     Bdim
Every action's an act of creation
     Cm
I'm laughin' in the face of casualties and sorrow
        Eb
For the first time, I'm thinkin' past tomorrow


HAMILTON & COMPANY:

D        Gm                       Am
And I am not throwin' away my shot
     Bb
I am not throwin' away my shot
     Bdim    Cm
Hey, yo, I'm just like my country
I'm young, scrappy, and hungry
        Eb                  D
And I'm not throwin' away my shot


HAMILTON, MULLIGAN, LAURENS and (ENSEMBLE):

We gonna
 Gm
rise up; time to take a shot
(Not thrown’ away my shot)

   Am
We gonna

Bb
rise up; time to take a shot
(Not throwin’ away my shot)

   Bdim
We gonna

Cm
(rise up, rise up)

HAMILTON:

It’s time to take a shot


HAMILTON, MULLIGAN, LAURENS and (ENSEMBLE):

 Eb
(Rise up, rise up)

It’s time to take a shot (rise up, rise up)
(Wo-oah) Time to take a shot (rise up)
Take a shot, a shot, a shot, (Oh-Oh, oh)

Eb
A-yo, it's time to take a shot (Woah, oh-oh oh)
Time to take a shot (Woah-oh)
And I am (And I am)

N.C.
Not throwing away my

COMPANY:

D   D    D   D   D              G5
Not throwing away my shot!      (the above is the button at the very end)

STORY OF TONIGHT


I may not live to see our glory
A         A/C#            G/D
I may not live to see our glory

But I will gladly join the fight
D                          C#m/F
But I will gladly join the fight
                               F#m
And when our children tell our story
D                 Dm/F     A
They'll tell the story of tonight
A                        A/D
Let's have another round tonight
A                        A/D
Let's have another round tonight
A            D
Let's have another round tonight


Verse:

A                 E/G#
Raise a glass to freedom
F#m                Dm/F
Something they can never take away
A                 E/G#     F#m  Dm
no matter what they tell you

A                 E/G#
raise a glass to the four of us
F#m                Dm/F
tomorrow there'll be more of us
A                 E/G#
Telling the story of tonight
F#m                Dm
They'll tell the story of tonight

A                 E/G#
Raise a glass to freedom
F#m               Dm/F
Something they can never take away
A                 E/G#
No matter what they tell you
F#m                Dm
Let's have another round tonight

A                 E/G#
Raise a glass to the four of us
F#m                Dm/F
Tomorrow there'll be more of us
A                 E/G#
Telling the story of tonight
F#m                Dm
Let's have another round tonight

A                 E/G#            A                 E/G#
They'll tell the story of tonight/Raise a glass to freedom
F#m               Dm              A                 E/G#
They'll tell the story of tonight/Raise a glass to freedom
F#m               Dm              A
They'll tell the story of tonight/They'll tell the story of
A  E/G#
Tonight

SCHUYLER SISTERS

Intro:
Bm
There’s nothing rich folks love more
F#
Than going downtown and slummin’ it with the poor
G
They pull up in their carriages and gawk
D
At the students in the common
A#
Just to watch them talk
Bm
Take Philip Schuyler: the man is loaded
F#
Uh-oh, but little does he know that
G
His daughters, Peggy, Angelica, Eliza
D                              F#7/A#
Sneak into the city just to watch all the guys at—
Bm7
Work, work! Angelica!
D
Work, work! Eliza!
Bm7
And Peggy! The Schuyler sisters!
D
Angelica!
N.C.
Peggy!
N.C.
Eliza!
Bm7
Work!

Verse:
Bm7
Daddy said to be home by sundown
D
Daddy doesn’t need to know
Bm7
Daddy said not to go downtown
D
Like I said, you’re free to go
Bm7
But—look around, look around, the
D                          Gmaj9
Revolution’s happening in New York New York Angelica
F#7/A#
Work!
Bm7
It’s bad enough daddy wants to go to war
D
People shouting in the square
Bm7
It’s bad enough there’ll be violence on our shore
D
New ideas in the air
Bm7
Look around, look around—
D                                Gmaj9
Angelica, remind me what we’re looking for…
N.C.
She’s lookin’ for me!

Chorus:
                         F#7/A#     Bm7
Eliza, I’m lookin’ for a mind at work
                           D
I’m lookin’ for a mind at work!
                            Bm7
I’m lookin’ for a mind at work!
D
Whooaaaaa! Whooaaaaa!
Bm7
Work!

Verse:
Bm7
There’s nothin’ like summer in the city
D/A
Someone in a rush next to someone lookin’ pretty
Gmaj7
Excuse me, miss, I know it’s not funny
D/A
But your perfume smells like your daddy’s got money
Em
Why you slummin’ in the city in your fancy heels
D/F#
You searchin for an urchin who can give you ideals?
Gmaj7
Burr, you disgust me
N.C.
Ah, so you’ve discussed me
F#7/A#
I’m a trust fund, baby, you can trust me!
Bm7
I’ve been reading Common Sense by Thomas Paine
D/A
So men say that I’m intense or I’m insane
Gmaj9
You want a revolution? I want a revelation
F#m7/A
So listen to my declaration:
Em9
“We hold these truths to be self-evident
Dmaj7/F#
That all men are created equal”
Gmaj9
And when I meet Thomas Jefferson
F#7/A#
I’m ‘a compel him to include women in the sequel!
Bm7
Work!

Chorus:
Bm7
Look around, look around at how
D/A
Lucky we are to be alive right now!
Gmaj9
Look around, look around at how
F#m7
Lucky we are to be alive right now!
Em9                     Dmaj7/F#
History is happening in Manhattan and we just happen to be
Gmaj9
In the greatest city in the world!
                       A#maj7
In the greatest city in the world!

Verse:
Bm7
Cuz I’ve been reading Common Sense by Thomas Paine
D6/A
So men say that I’m intense or I’m insane
Gmaj9
You want a revolution? I want a revelation
F#m7
So listen to my declaration:
Bm7
We hold these truths to be self evident
D6/A
That all men are created equal
Gmaj7
Look around, look around
F#m7
At how lucky we are to be alive right now!
Em9                     Dmaj7/F#
History is happening in Manhattan and we just happen to be
Gmaj7
In the greatest city in the world
A#maj7
In the greatest city in the world!

Outro:
Bm7
Work, work! Angelica!
D
Eliza!
Bm7
And Peggy! The Schuyler sisters!
D
We’re looking for a mind at
Bm7
work!
D6/A
Whoa!
Gmaj9
In the greatest
           A     D
City in the world

THE FARMER REFUTED


C        G          Dm           Am
Hear ye, hear ye! My name is Samuel Seabury
F                              C                 G
and I present "Free thoughts on the proceedings of the Continental Congress!"


Verse:

C            G          Dm        Am
Heed not the rabble who scream revolution
F                               G
They have not your interest at heart
G
(Oh my god. Tear this dude apart)
C          G             Dm      Am
Chaos and bloodshed are not a solution
F                         G
Don't let them lead you astray
Am                               G
This congress does not speak for me
Am                            G
They're playing a dangerous game
Am                             Dm/F
I pray the king shows you his mercy
D                G
For shame, for shame!


Verse:

C                     G                          Dm
Yo! He'd have you all unravel at the sound of screams (Heed not the rabble who scream)
Am
But the revolution is comin' (Revolution!)
F
The have-nots are gonna win this (They have not your interests at heart)
G
It's hard to listen to you with a straight face
C             G              Dm
Chaos and bloodshed already haunt us (Chaos and Bloodshed are not solution)
Am                            F
Honestly, you shouldn't even talk and what about Boston (Don't let them lead you astray)
G
Look at the cost of all that we've lost
Am
And you talk about Congress? (This Congress does not speak for me)
G
My dog speaks more eloquently than thee
Am
(You're playing a dangerous game)
G
But strangely, your mange is the same!
Am                     Dm/F
(I pray the king shows you his mercy)
Is he in Jersey?
D
(For shame—) For the Revolution!
G                        Ab
(For shame!) For the Revolution!


Verse:

Db
(Heed—) If you repeat yourself again I'm gonna
Ebm                            Bbm
(Scream—) Honestly, look at me, please don't read!
Gb                 Ab
(Not your interest—) Don't modulate the key then not debate with me
Db              Ab                  Ebm
Why should a tiny island across the sea
Bbm
Regulate the price of tea? Alexander, please!
Gb
Burr, I'd rather be divisive than indecisive
Ab
Drop the niceties
Bb                            Dm
Silence! A message from the King!
Gm
A message from the King!
F
A message from the King!

YOULL BE BACK

Intro:
G   G/F   C   Am7  D


Verse:
    G
You say
    G/F                      C                            Am7       D
The price of my love’s not a price that you’re willing to pay
    G
You cry
        G/F                       C                      Am7
In your tea which you hurl in the sea when you see me go by
D      Em
Why so sad?
  G                   C                        Am7
Remember we made an arrangement when you went away
           D         Em
Now you’re making me mad
  G                    C                    D
Remember despite our estrangement, I’m your man


Chorus:
          G                 G/F
You’ll be back, soon you’ll see
         C                    Am7
You’ll remember you belong to me
D         G               G/F
You’ll be back, time will tell
         C                        Am7
You’ll remember that I served you well
D      Em            G
Oceans rise, empires fall
        C                          Cm
We have seen each other through it all
         Em            G
And when push comes to shove
       C                     Am7
I will send a fully armed battalion
     D              G
To remind you of my love!


Bridge:
G            G/F             C
Da da da dat da dat da da da da ya da
      Cm      D     G
Da da dat dat da ya da!
             G/F             C
Da da da dat da dat da da da da ya da
      Cm
Da da dat dat da…


Verse:
    Em
You say
            G                         C         Cm
Our love is draining and you can’t go on!
       Em
You’ll be
           G                  C  Cm
The one complaining when I am go-ne!
    Am7
And NO,
                 D7
Don’t change the subject!
       Am7                D7
‘Cause you’re my favorite subject!
   F                 C
My sweet, submissive subject!
   F            C
My loyal, royal subject!


   G
Forever
    G/F
And ever
    Cm
And ever, and ever, and ever…


Chorus:
          G            G/F
You’ll be back, like before
       C                           Am7
I will fight the fight and win the war
D7       G              G/F
For your love, for your praise
         C                     Am7
And I’ll love ya ’til my dying days
D7          Em            G
When you’re gone, I’ll go mad
         C                        Cm
So don’t throw away this thing we had
            Em            G
‘Cause when push comes to shove
       C
I will kill your friends and family…
     Am7            G
To remind you of my love!


Outro:
G            G/F             C
Da da da dat da dat da da da da ya da
      Cm      D7    G
Da da dat dat da ya da!
             G/F             C
Da da da dat da dat da da da da ya da
      Cm         D7
Da da dat - Everybody!


G            G/F             C
Da da da dat da dat da da da da ya da
      Cm            G
Da da dat dat da ya da!
             G/F             C
Da da da dat da dat da da da da ya da da da da
Cm      D7    G
Dat dat da ya da!

RIGHT HAND MAN

Cm                                       Cm7
British Admiral Howe's got troops on the water
Cm6                                      Abmaj7
Thirty-two thousand troops in New York Harbour…
Cm                                       Cm7
Thirty-two thousand troops in New York Harbour…
Cm6                                              Abmaj7
When they surround our troops! They surround our troops! (They surround our troops!)

Cm
As a kid in the Caribbean I wished for a war
Cm/D
I knew that I was poor, I knew it was the only way to
Cm/Eb
(Rise up), if they tell my story
     Cm/F
I am either gonna die on the battlefield in glory or
Cm
(Rise up), I will fight for this land but there's
Cm/D
Only one man Who can give us a command, so we can
Cm/Eb                                        Cm/F
(Rise up), understand, it's the only way to (rise up, rise up)
N.C.
Here he comes!

Cm
(Here comes the general!)
Ab
Ladies and gentlemen!
F/A
(Here comes the general!)
Ab
The moment you've been waiting for!
Cm
(Here comes the general!)
Ab
The Pride of Mount Vernon!
F/A
(Here comes the general!)
Ab
George Washington!
Cm
We are out-gunned! (what!)
Ab
Out-manned! (what!)
F/A
Out-numbered,
Ab
out-planned!
Cm
We gotta make an all-out
Ab
stand Hey yo
F/A
I'm gonna need a right-hand
Ab
man

Here comes the general!



N.C.
Can I be real a second? For just a millisecond?
Let down my guard and tell the people how I feel a second?
Now I'm the model of a modern major general
The venerated Virginian veteran whose men are all

       Cm                    Ab
Lining up to put me up on a pedestal, writing letters to

F/A                         Ab
Relatives embellishing my elegance and eloquence
Cm                          Ab
But the elephant is in the room, the truth is in your
F/A                             Ab
Face When you hear the British cannons go (BOOM!)
Cm                      Ab
Any hope of success is fleeting How can I keep
F9/A                         Ab
Leading when the people I'm leading keep retreating?
Cm                      Ab
We put a stop to the bleeding as the British take
F/A                    Ab
Brooklyn Knight takes rook, but look

Cm
We are out-gunned! (what!)
Ab
Out-manned! (what!)
F/A
Out-numbered,
Ab
out-planned!
Cm
We gotta make an all-out
Ab
stand Hey yo
F/A
I'm gonna need a right-hand
Ab
man
N.C.
Incoming!

Cm
They're battering down the Battery, check the damages (brrah!)
Cm/D
We gotta stop ‘em and rob ‘em of their advantages (brrah!)
Cm/Eb
Let's take a stand with the stamina God has granted us
Cm/F
Hamilton won't abandon ship, yo, let's steal their cannons!

Cm                      Cm/D
(BOOM) goes the cannon, watch the blood and the shit spray, and
Cm/Eb                          Cm/F
(BOOM) goes the cannon, we're abandoning Kips Bay, and
Cm
(BOOM) there's another ship, and
Cm/D
(BOOM) we just lost the southern tip and
Cm/Eb
(BOOM) we've gotta run to Harlem quick, we can't afford another slip
Cm
Guns and horses giddy up,
Cm/D
I decide to divvy up
Cm/Eb
My forces, they're skittish as the
Cm/F
British cut the city up
Cm
This close to giving up,
Cm/D
Facing mad scrutiny
Cm/Eb                             Cm/F
I scream in the face of this mass mutiny:
Cm9
"Are these the men with which I am to defend America?"
Cm9/D
We ride at midnight, Manhattan in the distance
Cm/Eb
I cannot be everywhere at once, people
Cm/F
I'm in dire need of assistance

Cm
Your Excellency, sir Who are you? Aaron Burr, sir
Gm
Permission to state my case? As you were...Sir,
Ab
I was a captain under General Montgomery Until he caught a
Ab6/F                     Bb
Bullet in the neck in Quebec, and well, in summary
Cm
I think that I could be of some assistance
Gm
I admire how you keep firing on the British from a distance
Ab
I have some questions, a couple of suggestions
Ab6/F                              Bb
On how to fight instead of fleeing west Yes?

Cm
Your Excellency? You wanted to see me?
         Gm
Hamilton, come in. Have you met Burr? Yes, sir We keep meeting...
Ab
As I was saying, sir I look forward to seeing your strategy
Ab6/F                                              Bb
play out—Burr? Sir? Close the door on your way out
Cm
Have I done something wrong, sir? On the contrary
Gm
I called you here because our odds are beyond scary
Ab
Your reputation precedes you, but I have to laugh
Ab6/F                  Bb
Hamilton, how come no one can get you on their staff?

Cm
Don't get me wrong, you're a young man of great renown
Gm
I know you stole British cannons when we were still downtown
Ab
Nathanael Greene and Henry Knox wanted to hire you—
   Ab6/F
To be their secretary! I don't think so
Bb
Now why are you
Cm
Upset? I'm not It's alright you want to fight, you've got a
Gm
Hunger I was just like you when I was younger
Ab
Head full of fantasies of dying like a martyr
Ab6/F                      Bb
Dying is easy, young man; living is harder
Cm
Why are you telling me this? I'm being honest
Gm
I'm working with a third of what our Congress has promised
Ab
We are a powder keg about to explode
Ab6/F                                   Bb
I need someone like you to lighten the load

Cm/G                       Ab
I am not throwing away my shot
F/A                        Ab
I am not throwing away my shot
Cm/G                                  Ab
Hey yo I'm just like my country I'm young, scrappy and hungry
F/A
I am not throwing away my shot
Cm/G                                        Ab
Son, we are outgunned! Outmanned!  You need all the help you can get,
F/A                                          Ab
I have some friends, Laurens, Mulligan, Marquis de Lafayette! Okay, what else?
Cm/G               Ab
Outnumbered, out planned! We'll need some spies on the
F/A                         Ab
Inside Some king's men who might let some things slide
Cm/G                              Ab
I'll write to Congress and tell them we need supplies
                F/A                              Ab
You rally the guys, master the element of surprise
Cm/G                          Ab
I'll rise above my station, organize your information
        F/A                  Ab
‘Til we rise to the occasion of our new nation, sir!
Cm/G                      Ab
Here comes the general! Rise up! (What!)
F/A                       Ab
Here comes the general! Rise up! (What!)
Cm/G                      Ab
Here comes the general! Rise up! (What!)
F/A                       Ab
Here comes the general! What!
N.C.
And his right-hand man!
Cm
BOOM!

A WINTERS BALL

                   Bm                                 F#
Burr:: How does a bastard, orphan, son of a whore go on and on grow into more of a

phenomenon?

G                                          D                       Bbdim
Watch this obnoxious, arrogant, loud-mouth bother be seated at the right hand of the

father

Bm                                           F#
Washington hires Hamilton right on site, but Hamilton still wants to fight, not write

    G                                                  D                  Bbdim
Now Hamilton's skill with the quill is undeniable, but what do we have in common?

                        Bm
We're reliable with the lay-deez! (there are so many to deflower)

F#
Lay-deez! (Looks! Proximity to power!)

G
Lay-deez! They delighted and distracted him,

D                                 Bbdim
Martha Washington named her feral tomcat after him Ham:: That's true

        Bm                            F#
Burr:: 1780, a winter's ball and the Schuyler Sisters are the envy of all

G
If you can marry a sister, you're rich son.

       D                 Bbdim
Ham:: Is it a matter of if, Burr, or which one?

               C
Ham/Burr/Lau: Hey, hey, hey, hey, hey, hey, hey, hey

HELPLESS


F                     A#
Ooh, I do I do I do I do, hey
F              A#
Ooh, I do I do I do

Boy you got me


Chorus:

 F         A#
Helpless, look into your eyes and the sky’s the limit
     F         A#
I’m helpless, down for the count and I’m drowning in ‘em


Verse: (Eliza)

F
I have never been the type to try and grab the spotlight
A#
We were at a revel with some rebels on a hot night
F
Laughing at my sister as she’s dazzling the room
      A#
Then you walked in and my heart went “Boom!”
F
Trying to catch your eye from the side of the ballroom
A#
Everybody’s dancing and the band’s top volume
F
Grind to the rhythm as we wine and dine
         A#
Grab my sister and whisper “Yo, this one’s mine.”
Dm                                            F
Ooh, my sister made her way across the room to you
                                              A#
And I got nervous, thinking “What’s she gonna do?”
                                              C
She grabbed you by the arm, I’m thinking “I’m through”

Then you look back at me and suddenly I’m


Chorus:

 F         A#
Helpless, look into your eyes and the sky’s the limit
     F         A#
I’m helpless, down for the count and I’m drowning in ‘em

 F         A#
Helpless, look into your eyes and the sky’s the limit
     F         A#
I’m helpless, down for the count and I’m drowning in ‘em


Verse: (Eliza)

F
One week later, I’m writing a letter nightly
A#
Now my life gets better, every letter that you write me
F
Laughing at my sister cause she wants to form a harem

(Angelica)
N.C.
I’m just saying if you really loved me you would share him

(Eliza)
Ha!
F
Two weeks later in the living room stressin’
    A#
My father’s stone faced while you’re asking for his blessin’
    F
I’m dying inside as you wine and dine
         A#                                                           Dm
And I’m trying not to cry cause there’s nothing that your mind can’t do
                                           F
My father makes his way across the room to you
                                     A#
I panic for a second thinking “we’re through”
                                          C
But then he shakes your hand and says “Be true”

And you turn back to me, smiling, and I’m


Chorus:

 F         A#
Helpless, look into your eyes and the sky’s the limit
     F         A#
I’m helpless, down for the count and I’m drowning in ‘em

 F         A#
Helpless, look into your eyes and the sky’s the limit
     F         A#
I’m helpless, down for the count and I’m drowning in ‘em


(Hamilton)
  F
Eliza, I don’t have a dollar to my name
    A#
An acre of land, a troop to command, a dollop of fame
F
All I have’s my honor, a tolerance for pain
   A#
A couple of college credits and my top-notch brain
F
Insane, your family brings out a different side of me
A#
Peggy confides in me, Angelica tried to take a bite of me
F
No stress, my love for you is never in doubt
               A#
We’ll get a little place in Harlem and we’ll figure it out
          Dm
I’ve been livin’ without a family since I was a child
           F
My father left, my mother died, I grew up buckwild
       A#
But I’ll never forget my mother’s face, that was real
                       C
And long as I’m alive, Eliza, swear to God

You’ll never feel so…


Chorus:

 F         A#
Helpless, look into your eyes and the sky’s the limit
     F         A#
I’m helpless, down for the count and I’m drowning in ‘em

 F         A#
Helpless, look into your eyes and the sky’s the limit
     F         A#
I’m helpless, down for the count and I’m drowning in ‘em

F A#
    A#
In New York, you can be a new man
   Dm
In New York, you can be a new man
    C                          A#     F
In New York, you can be a new man

SATISFIED

LAURENS:

A#m7                              Db/Ab
Alright, alright. That's what I'm talkin' about!
           A#m7/D#
Now everyone give it up for the maid of honor
Gb9               F7
Angelica Schuyler!


ANGELICA/COMPANY:

               A#m7
A toast to the groom (to the groom, to the groom, to the groom)
       Db/Ab
To the bride (To the bride, to the bride, to the bride)
          A#m7/D#
From your sister (Angelica, Angelica, Angelica)
        Gb9                          F7
Who is always by your side (By your side)
        A#m7
To your union (To the union! To the revolution!)
        Db/Ab
And the hope that you provide (provide, provide)
        A#m7/D#
May you always (always)
    Gb9        F7
Be satisfied (rewind)


REWIND INTERLUDE:


ANGELICA:

A#m7
I remember that night I just might

regret that night for the rest of my days
Db/Ab
I remember those soldier boys tripping over themselves

to win our praise
A#m7/D#
I remember that dreamlike candlelight

like a dream that you can't quite place
Gb9                  F7                                   A#m7
But Alexander I'll never forget the first time I saw your face

I have never been the same
Db/Ab
Intelligent eyes in a hunger-pang frame
    A#m7/D#
And when you said "hi" I forgot my dang name
       Gb9                      F7
Set my heart aflame, every part aflame

This is not a game


HAMILTON:

A#m7
You strike me as a woman who has never been satisfied


ANGELICA:

Db/Ab
I'm sure I don't know what you mean, you forget yourself


HAMILTON:

A#m7/D#
You're like me. I'm never satisfied


ANGELICA:

Gb9
Is that right?


HAMILTON:

F7
I have never been satisfied


ANGELICA:

A#m7
My name is Angelica Schuyler


HAMILTON:

Db/Ab
Alexander Hamilton


ANGELICA:

Where's your family from?


HAMILTON:

A#m7/D#
Unimportant, there's a million things I haven't done
Gb7            F7
Just you wait, just you wait


ANGELICA:

A#m7
So so so, so this is what it feels like to match wits

with someone at your level. What the hell is the catch?
         Db/Ab
It's the feeling of freedom, of seeing the light

It's Ben Franklin with a key and a kite

You see it right?
A#m7/D#
The conversation lasted two minutes, maybe three minutes

Everything we said in total agreement
Gb9
It's a dream and it's a bit of a dance
F7
A bit of a posture, it's a bit of a stance
       A#m7
He's a bit of a flirt but I'mma give it a chance

I asked about his family, did you see his answer?
    Db/Ab
His hands started fidgeting, he looked askance?

He's penniless; he's flying by the seat of his pants
A#m7/D#
Handsome, boy does he know it

Peach fuzz, and he can't even grow it
Gb9
I wanna take him far away from this place
       F7
Then I turn and see my sister's face and she is...


ELIZA:

A#m7
Helpless


ANGELICA:

And I know she is


ELIZA:

A#m7/Ab
Helpless


ANGELICA:

And her eyes are just


ELIZA:

A#m7/D#
Helpless


ANGELICA:

                    Gb9                                  F7
And I realize three fundamental truths at the exact same time


HAMILTON:

A#m7
Where are you taking me?


ANGELICA:

I'm about to change your life.


HAMIlTON:

Then by all means, lead the way.


COMPANY:

       A#m7
Number one!


ANGELICA:

A#m7
I'm a girl in a world in which my only job is to marry rich
Db/Ab
My father has no sons so I'm the one

who has to social climb for one
            A#m7/D#
So I'm the oldest and the wittiest and the gossip in

New York City is insidious
Gb9
And Alexander is penniless
F7
That doesn't mean I want him any less


ELIZA:

A#m7
Elizabeth Schuyler. It's a pleasure to meet you.


HAMILTON:

Schuyler?


ANGELICA:

My sister.


COMPANY:

       A#m7
Number two!


ANGELICA:

A#m7
He's after me cuz I'm a Schuyler sister

That elevates his status
    Db/Ab
I'd have to be naive to set that aside

Maybe that is why
A#m7/D#
I introduce him to Eliza

Now that's his bride
Gb9
Nice going, Angelica, he was right
F7
You will never be satisfied


ELIZA:

A#m7
Thank you for all your service.


HAMILTON:

If it takes fighting a war for us to meet, it will have been worth it.


ANGELICA:

I'll leave you to it.


COMPANY:

       A#m7
Number three!


ANGELICA:

A#m7
I know my sister like I know my own mind
          Db/Ab
You will never find anyone as trusting or as kind
     A#m7/D#
If I tell her that I love him she'd be silently resigned
        Gb9
He'd be mine
                   F7
She would say "I'm fine"

She'd be lying
A#m7
But when I fantasize at night it's Alexander's eyes
Db/Ab
as I romanticize what might have been if I hadn't
A#m7/D#
sized him up so quickly
                             Db
At least my dear Eliza's his wife
                                    F7
At least I keep his eyes in my life


ANGELICA/COMPANY:

        A#m7
To the groom! (to the groom, to the groom, to the groom)
       Db/Ab
To the bride! (To the bride, to the bride, to the bride)
          A#m7/D#
From your sister (Angelica, Angelica, Angelica)
        Gb9                          F7
Who is always by your side (By your side)
        A#m7
To your union (To the union! To the revolution!)
        Db7
And the hope that you provide (provide, provide)
        A#m7/D#
May you always (always)
    Gb9                      F7
Be satisfied (satisfied, satisfied, satisfied)
      A#m7
And I know
           Db/Ab
she'll be happy as his bride
      A#m7/D#
And I know
Gb9
He will never be satisfied
F7                               A#m7
I will never be satisfied

STORY OF TONIGHT (REPRISE)

LAURENS:
N.C.
I may not live to see our glory!

MULLIGAN/LAFAYETTE:
  Bb      F/A                Ab
I may not live to see our glory!

LAURENS:
                                 Eb
But I’ve seen wonders great and small

MULLIGAN/LAFAYETTE:
                             D
I’ve seen wonders great and small

LAURENS:
                               Bb
‘Cause if the tomcat can get married

MULLIGAN/LAFAYETTE:
        Bb7          Eb
If Alexander can get married—

LAURENS:
                  Ebm            Bb
There’s hope for our ass, after all!

LAFAYETTE:
                  F/A
Raise a glass to freedom

LAURENS/MULLIGAN:
F/A
Hey!
Gm                  Ebm        Bb
Something you will never see again!

MULLIGAN:
           F/A
No matter what she tells you

LAFAYETTE:
Gm           Ebm           Bb
Let’s have another round tonight!

LAURENS:
                      F/A
Raise a glass to the four of us!

LAFAYETTE/HAMILTON:
F/A
Ho!

MULLIGAN:
Gm                Ebm
To the newly not poor of us!

LAURENS/LAFAYETTE/HAMILTON:
Ebm
Woo!

LAFAYETTE:
Bb              F/A      Gm
We’ll tell the story of tonight

LAURENS:
            Ebm
Let’s have another round—

HAMILTON:
Bb                       Gm
Well, if it isn’t Aaron Burr

BURR:
Gm
Sir!

HAMILTON:
           Dm
I didn’t think that you would make it

BURR:
Dm
To be sure

MULLIGAN/LAFAYETTE:
Dm
Burr!

BURR:
           Bb
I came to say congratulations

MULLIGAN:
        Gm
Spit a verse, Burr!

BURR:
           Dm
I see the whole gang is here

LAFAYETTE:
N.C.
You are the worst, Burr!

HAMILTON:
Bb                        Gm
Ignore them. Congrats to you, Lieutenant Colonel
       Dm
I wish I had your command instead of manning George’s journal

BURR:
         Bb
No, you don’t

HAMILTON:
Bb
Yes, I do

BURR:
          Gm
Now, be sensible
             Dm
From what I hear, you’ve made yourself indispensable

LAURENS:
            Db
Well, well, I heard
       Bbm                           Fm
You’ve got a special someone on the side, Burr

HAMILTON:
Fm
Is that so?

LAURENS:
                        Db
What are you tryin’ to hide, Burr?

BURR:
         Bbm
I should go

HAMILTON:
                      Fm
No, these guys should go

LAFAYETTE:
Fm
What?

LAURENS:
Fm
No!

HAMILTON:
Fm
Leave us alone

MULLIGAN:
Fm
Man…

HAMILTON:
        Db             Bbm                                    Fm
It’s alright, Burr. I wish you’d brought this girl with you tonight, Burr

BURR:
                                        Db
You’re very kind, but I’m afraid it’s unlawful, sir

HAMILTON:
             Bbm
What do you mean?

BURR:
Bbm
She’s married

HAMILTON:
  Fm
I see

BURR:
N.C.
She’s married to a British officer

HAMILTON:
N.C.
Oh shit…

BURR:
Db        Bbm             Fm
Congrats again, Alexander. Smile more
Db                   Bbm
I’ll see you on the other side of the war

HAMILTON:
Fm                       Db
I will never understand you
        Bbm                 Fm
If you love this woman, go get her! What are you waiting for?

BURR:
Db                   Bbm                Fm
I’ll see you on the other side of the war

HAMILTON:
Fm
I’ll see you on the other side of the war

WAIT FOR IT

C# A#m Fm (x2)


Verse:
C#         A#m                       Fm
Theodosia writes me a letter every day
C#                   A#m                         Fm
I'm keeping the bed warm while her husband is away
C#                           A#m
He's on the British side in Georgia
     Fm
He's trying to keep the colonies in line
C#                      A#m
But he can keep all of Georgia
    Fm
Theodosia, she's mine

Chorus:
C#                    F#                                G#
Love doesn't discriminate between the sinners and the saints, it takes and it takes and

it takes
    A#m                   F#                 C#                       G#
And we keep loving anyway, we laugh and we cry and we break and we make our mistakes
    A#m                  F#                    C#                   G#
And if there's a reason I'm by her side when so many have tried
                    A#m           F#
Then I'm willing to wait for it
               G#
I'm willing to wait for it

Verse:
C#                    A#m                 Fm
My grandfather was a fire and brimstone preacher
C#                             A#m                       Fm
But there are things that the homilies and hymns won't teach ya
C#               A#m
My mother was a genius
   Fm
My father commanded respect
C#                   A#m
When they died they left no instructions
Fm
Just a legacy to protect

Chorus:
C#                     F#                                G#
Death doesn't discriminate between the sinners and the saints, it takes and it takes and

it takes
A#m                   F#                C#                        G#
We keep living anyway, we rise and we fall and we break and we make our mistakes
A#m                      F#                     C#                         G#
And if there's a reason I'm still alive while everyone who loves me has died
               A#m          F#
I'm willing to wait for it
               G#
I'm willing to wait for it

Bridge:
A#m            F#
(Wait for it, wait for it)
C#                     G#              A#m   F#
I am the one thing in life I can control
C#                G#                A#m   F#
I am inimitable, I am an original
C#               G#                 A#m    F#
I'm not falling behind or running late
C#                G#                    A#m    F#
I'm not standing still, I am lying in wait

C#                 G#              A#m      F#
Hamilton faces an endless uphill climb
C#                          G#                    A#m   F#
He has something to prove, he has nothing to lose
C#                    G#                      A#m     F#
Hamilton's pace is relentless, he wastes no time
C#                  Fm
What is it like in his shoes?

A#m                        F#                 C#
Hamilton doesn't hesitate, he exhibits no restraint and he takes and he takes and he

takes
    A#m                     F#             C#
And he keeps winning anyway, changes the game he plays and he raises the stakes
    A#m                  F#                       C#                    G#
And if there's a reason he seems to thrive when so few survive, then goddamnit
               A#m          F#
I'm willing to wait for it
               C#
I'm willing to wait for it

A#m                   F#                                C#                       G#
Life doesn't discriminate between the sinners and the saints, it takes and it takes and

it takes
A#m                   F#                C#                        G#
We keep living anyway, we rise and we fall and we break and we make our mistakes
    A#m                  F#                     C#                 G#
And if there's a reason I'm still alive while so many have died, then I'm willing to—

A#m F# C# G#
       Wait for it
A#m F#        C#      G#
       Wait for it

C#

STAY ALIVE

Intro:

Cm Ab Adim Ab

       Cm Ab Adim Ab
Stay alive…

       Cm Ab Adim Ab
Stay alive…


[Verse}

              Cm                     Ab
I have never seen the General so despondent
             Adim                        Ab
I have taken over writing all his correspondence
                   Cm                         Ab
Congress writes, “George, attack the British forces.”
              Adim                   Ab
I shoot back, we have resorted to eating our horses
       Cm               Ab
Local merchants deny us equipment, assistance
     Adim                         Ab
They only take British money, so sing a song of sixpence
    Cm                                Ab
The cavalry’s not coming. (But, sir!) Alex, listen
              Adim                 Ab
There’s only one way for us to win this

Cm               Ab
Provoke outrage, outright (That's right)
Adim                     Ab
Don’t engage, strike by night
          Cm                               Ab
Remain relentless ‘til their troops take flight
           Adim                    Ab
Make it impossible to justify the cost of the fight
    Cm
Outrun (Outrun)
    Ab
Outlast (Outlast)
Adim                    Ab
Hit ‘em quick, get out fast (Chick-a-plao!)
       Cm                            Ab
Stay alive until this horror show is past
            N.C.                     N.C.
We’re gonna fly a lot of flags half-mast (Raise a glass!)

      Cm                         Ab
I go back to New York and my apprenticeship
            Adim                              Ab
I ask for French aid, I pray that France has sent a ship
           Cm
I stay at work with Hamilton
         Ab
We write essays against slavery
    Adim                           Ab
And every day’s a test of our camaraderie and bravery

   Cm                     Ab
We cut supply lines, we steal contraband
    Adim                            Ab
We pick and choose our battles and places to take a stand
    Cm                  Ab
And every day “Sir, entrust me with a command,”
    Adim                  Ab
And every day (No) he dismisses me out of hand

        Cm                          Ab
(Stay alive...) Instead of me He promotes Charles Lee
             Adim                   Ab
Makes him second-in-command (I’m a General. Whee!!!!)
Cm                   Ab
Yeah. He’s not the choice I would have gone with
    Adim                 N.C.
He shits the bed at the Battle of Monmouth

            Cm                 Ab
Ev’ryone attack! (Retreat!) Attack! (Retreat!)
 Adim                         Ab
What are you doing, Lee? Get back on your feet!
                Cm                            Ab
(But there’s so many of them!) I’m sorry, is this not your speed?!
 Adim                            N.C.
Hamilton! (Ready, sir!) Have Lafayette take the lead! (Yes, sir!)

    Cm                        Ab
A thousand soldiers die in a hundred degree heat
       Adim                        Ab
As we snatch a stalemate from the jaws of defeat
  Cm                            Ab
Charles Lee was left behind without a pot to piss in
    Adim                      N.C.
He started sayin’ this to anybody who would listen:

 Cm                         Ab
Washington cannot be left alone to his devices
Adim               Ab
Indecisive, from crisis to crisis
     Cm                           N.C.
The best thing he can do for the revolution
              N.C.                N.C.
Is turn n’ go back to plantin’ tobacco in Mount Vernon

Cm                      Ab
Don’t do a thing. History will prove him wrong
       Adim                   Ab
(But, sir!) We have a war to fight, let’s move along
Cm                             Ab
Strong words from Lee, someone oughta hold him to it
  Adim                 Ab
I can’t disobey direct orders
N.C.
Then I’ll do it
F
  Alexander, you’re the closest friend I’ve got
N.C.
Laurens, do not throw away your shot

TEN DUEL COMMANDMENTS

F         Bb/G          F/A        C/E           F
One, two, three, four, five, six, seven, eight, nine…
F                   Gb    F
It’s the Ten Duel Commandments
F                   Gb    F
It’s the Ten Duel Commandments