Concerto Pour Une Voix tab by Licari Danielle

Tabs

Concerto Pour Une Voix (Concert For One Voice)
Composed by Christian Langlade
Sung by Danielle Licari with the Saint Preux orchestra (1969 album)
Transcribed from Francis Goya's guitar version of the song

Tablature by Justin Mandell ([email protected])
and Andrew Dubry ([email protected])

p=pulloff
h=hammeron
/=slide up to next note

 B minorBm
 *  '  '  '  *  '  '  '  *  '  '  '  *  '  '  '
-2-p-0-h-2-------------------------------3---5---3---2-----------|
---------------------------------------------------------5---3---|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|

 F#F#
 *  '  '  '  *  '  '  '  *  '  '  '  *  '  '  '
---------------------------------------------------------2-------|
-3h5p3---2-p-0---2---------------------------2-------2-------5---|
-------------------------3---------------3-------3---------------|
-------------------------------------4---------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|

 BB
 *  '  '  '  *  '  '  '  *  '  '  '  *  '  '  '
---------------------------------------------------------7---5---|
-4---------------------------------------4---7---4---7-----------|
-------------------------------------4---------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|

 E minorEm
 *  '  '  '  *  '  '  '  *  '  '  '  *  '  '  '
-5-------3-p-2---3---------------------------------------5---7-/-|
-------------------------5---------------4---5---7-/-8-----------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|

 A augmentedA
 *  '  '  '  *  '  '  '  *  '  '  '  *  '  '  '
/9-------9---------------------------10--12--10--9---------------|
-----------------------------------------------------12--10--8---|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|

 D MajorD
 *  '  '  '  *  '  '  '  *  '  '  '  *  '  '  '
-----------------------------------------------------------------|
-8h10p8--7-------7-----------------------2---3---5---3---2---3---|
-------------9-----------7---------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|

 DdimDdim
 *  '  '  '  *  '  '  '  *  '  '  '  *  '  '  '
-4---------------------------------------7---9---10------9---7---|
-------------------------------------10--------------9-----------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|
-----------------------------------------------------------------|

 F#7F#7
 *  '  '  '  *  '  '  '  *  '  '  '  *  '  '  '
-7h9p7---6-------6----------------------------------------------||
-------------9-----------7--------------------------------------||
----------------------------------------------------------------||
----------------------------------------------------------------||
----------------------------------------------------------------||
----------------------------------------------------------------||

In several places the 0-fret on the e-string can be substituted
instead of the 5-fret on the b-string depending on what feels best
for you. Also, please use this tab file as an example for creating
your own. it's *very* helpful and nice to have the beat lined
up correctly with each note :)... Thanks! -andrew

The chord picking pattern basically goes like this:
(example for B minorBm)
 *  '  '  '  *  '  '  '  *  '  '  '  *  '  '  '
---------------------------------2-------------------------------|
-----------------3---------------3---------------3---------------|
-----------------4-------------------------------4---------------|
---------4---------------4---------------4---------------4-------|
-2---------------------------------------------------------------|
-----------------------------------------------------------------|


Chords:
    B minorBm  F#F#  BB   E minorEm  A augmentedA   D MajorD   DdimDdim F#7F#7
e:----2-----2-----2-----0-----0-----2-----4-----2----------------|
b:----3-----2-----4-----0-----2-----3-----6-----2(or 4)----------|
g:----4-----3-----4-----0-----2-----2-----4-----3----------------|
d:----4-----4-----4-----2-----2-----0-----6-----2----------------|
a:----2-----4-----2-----2-----0-----x-----5-----4----------------|
e:----x-----2-----x-----0-----x-----x-----x-----2----------------|