This is probably of limited use to anyone not in possession of the professional transcription to which it refers (which is almost certainly extremely rare by now and of course out of print). This should, however, give you many clues as to the way the tune is played (we get the tuning, at least, which is something I wouldn’t have guessed on my own). Let’s hope to Patrick R. Schwemmer pschwemm@hotmail.com Here's a partial tab for the live version of Kottke's Busted Bicycle. The rest of the live version corresponds more or less to the tab for the 6 & 12 String version (available from Accent on Music, address and other info given below) except for a few variations which are easy to distinguish at normal speed. And this live version is on at least two "Best of..." releases.
Leo changes where he applies damping, accenting, and that special striking of the open 1st string to make the strobe-like *busted* rhythm more effective than on the 6 & 12 version. The end is different too. The tuning is open-C. here's one substitution for the Hanson ff > > > > > > -------X------------------------|-------X-------------------------- -------X---0---.------0---------|---0---X-------0--------------0--- -------X-------0------0--.---0--|---0---X-------0-------0---------- -------X---0-------------0------|-------X---0---------------------- -------X------------------------|-------X------------------0------- ---0---X----------0-------------|---0---X-----------0-------------- |___| |___| |___| |___| |___| |___| |___| |___| > > > > ---------------------------X-------|---0---X------------------------- -----------0---.-------0---X-------|---0---X-------0--------------0-- -------0-------0-------0---X---0---|-------X-------0-------0--------- -----------0---------------X-------|-------X---0--------------0------ ---------------------------X-------|-------X------------------------- ---0---------------0-------X-------|---0---X-----------0------------- |___| |___| |___| |___| |___| |___| |___| |___| or this one: ff > > > > > > -------X------------------------|-------X-----------X-------------- -------X---0---.------0---------|---0---X-------0---X----------0--- -------X-------0---------.---0--|---0---X-------0---X---0---------- -------X---0-------------0------|-------X---0-------X------0------- -------X------------------------|-------X-----------X-------------- ---0---X----------0-------------|---0---X-----------X-------------- |___| |___| |___| |___| |___| |___| |___| |___| > > > > ---X-----------X-------0---X-------|---0---X------------------------- ---X-------0---X-------0---X-------|---0---X-------0--------------0-- ---X---0-------X-----------X---0---|-------X-------0-------0--------- ---X-------0---X-----------X-------|-------X---0--------------0------ ---X-----------X-----------X-------|-------X------------------------- ---X-----------X---0-------X-------|---0---X-----------0------------- |___| |___| |___| |___| |___| |___| |___| |___| or this one: ff > > > > > > -------X-------X---------X------|-------X-----------X-------------- -------X---0---X------0--X------|---0---X-------0---X----------0--- -------X-------X---------X---0--|---0---X-------0---X---0---------- -------X---0---X---------X------|-------X---0-------X------0------- -------X-------X---------X------|-------X-----------X-------------- ---0---X-------X--0------X------|---0---X-----------X-------------- |___| |___| |___| |___| |___| |___| |___| |___| > > > > ---X-------0---X-----------X-------|---0---X-----------X------------- ---X-------0---X-------0---X-------|---0---X-------0---X----------0-- ---X---0-------X-------0---X---0---|-------X-------0---X---0--------- ---X-------0---X-----------X-------|-------X---0-------X------0------ ---X-----------X-----------X-------|-------X-----------X------------- ---X-----------X---0-------X-------|---0---X-----------X------------- |___| |___| |___| |___| |___| |___| |___| |___| or here's a surprise: ff > > > > > > -------X------------------------|-------X-----------X-------------- -------X---0---.------0---------|---0---X-------0---X----------0--- -------X-------0---------.---0--|---0---X-------0---X---0---------- -------X---0-------------0------|-------X---0-------X------0------- -------X------------------------|-------X-----------X-------------- ---0---X----------0-------------|---0---X-----------X-------------- |___| |___| |___| |___| |___| |___| |___| |___| > > > > ---X-----------X-----------X---0---|---X----------------------------- ---X-------0---X-----------X---0---|---X-------0------------------0-- ---X---0-------X-------0---X-------|---X---0---0--------------------- ---X-------0---X-----------X-------|---X-----------0-------0--0------ ---X-----------X-----------X-------|---X----------------------------- ---X-----------X---0-------X---0---|---X-------0-------0------------- |___| |___| |___| |___| |___| |___| |___| |___| and the ending directly follows something like the third variation above(the one with the mute right before the last three notes of the last measure): ---X---------------X---------------|---X---------------X------------- ---X-----------0---X-----------0---|---X-----------0---X----------0-- ---X---0-----------X---0-----------|---X---0-----------X---0--------- ---X-------0-------X-------0-------|---X-------0-------X------0------ ---X---------------X---------------|---X---------------X------------- ---X---------------X---------------|---X---------------X------------- |___| |___| |___| |___| |___| |___| |___| |___| fff ---X---------------X---------------|--------------------------------- ---X-----------0---X-----------0---|---3b(4)~------------------------ ---X---0-----------X---0-----------|---0----------------------------- ---X-------0-------X-------0-------|---0----------------------------- ---X---------------X---------------|---0----------------------------- ---X---------------X---------------|---0----------------------------- |___| |___| |___| |___| Enjoy! Richard Kucera kucera@nlm.nih.gov