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JUST THE SAME
based of Phil Keaggy's performance at Wheaton College.


Acoustic Gtr (Chord diagramD MajorD Chord diagramA augmentedA Chord diagramD MajorD Chord diagramG+G Chord diagramBB Chord diagramE MajorE) or 1 half-step down from that

main riff                           Chord diagramA augmentedA   Chord diagramG+G   Chord diagramFF   Chord diagramD MajorD           repeat

|-5-------5-------------------------5---3-----------2-------------|
|-5h7p5---5h7p5---------------------5---3-----------3-------------|
|-------7-------7-7---------7-------5---4-----------2-------------|
|-----------------7h9p7-7---7-------5---5---3---0---0-------------|
|-----------------------7h9---9p7s5-7---5---3---0-----------0-2-5-|
|-----------------------------------7---5---3---0-------3-4-------|

alternate ending riff

|---------------------------------|
|---------------------------------|
|-----------------0h2p0---0-------|
|-----------0-3-4-------3-------0-|
|-----0-2-3-----------------3s5---|
|-3-4-----------------------------|

verse.
I included an example of a hammer on that might take place in the first chord.

|-5---5-5---3-----------2---|---------------------2-|
|-5---5-5---3-----------3---|-----1---3-----------3-|
|-5---5-5---4-----------2---|-----0---0---3---5---2-|
|-5---5-5---x---3---0---0---|-----2---0---3---5---0-|
|-7---5h7---5---3---0-------|-0h2-3---2---1---3-----|
|-7---5h7---5---3---0-------|-----------------------|


|-5---4---3---2-------------------2-------------|-5-------5-------------------------|
|-6---5---4---3---1---3-----------3-------------|-5h7p5---5h7p5---------------------|
|-5---4---3---2---0---0---3---5---2-------------|-------7-------7-7---------7-------|
|-0---0---0---0---2---0---3---5---0-------------|-----------------7h9p7-7---7-------|
|-----------------3---2---1---3-----------0-2-5-|-----------------------7h9---9p7s5-|
|-------------------------------------3-4-------|-----------------------------------|

Chorus

|-0---3-----------2-----------5-------5--------------------------|
|-1---3-----------3-----------5h7p5---5h7p5----------------------|
|-2---4-----------2-----------------7-------7-7---------7--------|
|-2---x---3---0---0---------------------------7h9p7-7---7--------|
|-0---5---3---0---------0-2-5-----------------------7h9---9p7s5--|
|-----5---3---0-----3-4------------------------------------------|
Phil uses an odd technique for this chord progression.
He uses his index finger to hit the Chord diagramC majorC in the first chord, then the usual fingering for Chord diagramD7D7
after that, the Chord diagramG+G is brought out by using his pinky on the fifth fret.


|-------------------0----|
|-3-3---3---3-3-----1----|
|-5-5---0---5-5-----0----|
|-3h4---5---3h4-----2----|
|-5-5---5---5-5-----0----|
|------------------------|

Any other solos or riffs are improvised in Chord diagramD MajorD minor


Tablature 🏷Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc 🏷Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

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