NB: An acoustic version by Michael B. is transcribed at the bottom of this post The Boys Of Summer by Don Henley Transcribed by Eric Larson (larsoe@rpi.edu) Key: H - Hammer-On P - Pull-Off ^f - Full Bend ~ - Vibrato / - Slide up \ - Slide down Intro ------|---|-----------|---|----------|---|----------|---|---P-P--------------| ------|---|-----------|---|----------|---|-8--------|---|-10-8-7---8---------| -7/9~-|---|-----7-----|---|-----7----|---|---9-7-9~-|---|--------7---9-7-7/9-| ------|---|-7/9---9~--|---|-7/9---9~-|---|----------|---|--------------------| ------|---|-----------|---|----------|---|----------|---|--------------------| ------|---|-----------|---|----------|---|----------|---|--------------------|
----------| -12-10~---| ----------| ----------| ----------| ----------| The funkey little riff during the verses goes something like this: (Clean with a little echo) ---------------------------| --------------------------.| Palm mute it and repeat for the length of ----------------------H----| the verse (8 times I think) -----9-9-7-7-9-X-9-7-7-9--.| -7-7-----------------------| ---------------------------| Chorus Here's how I play the chords: (A little distortion & chorus) G C D -3---3---2- -3---3---3- I won't bother putting this part in tab, -O---O---2- just strum each chord where it says to -O---2---O- and then arpeggiate the notes of the chord -X---3----- letting the notes ring. -3--------- G D But I can see you, you brown skin .... D C You got your hair combed back ... D D I can tell you my love for you ... D C After the boys of summer .... [Date: Thu, 12 Jun 2003 06:40:56 -0700 (PDT) play the chords F#, B, and C# instead of G, C, and D.] The second verse is basically the same as the first, but it has this funkey lick thrown in at the end: (Distorted) -----------------12~~~--| -/--/8------10^F~~~~~~--| -/9-(9)-9-7-------------| ------------------------| ------------------------| ------------------------| Then there's the second Chorus... same chords as the first Then there's the Bridge: (Clean with a little echo) ------------------------------------| ----------------P------------------.| This is repeated thorught -9-9-7-7-------9-7----9--7----------| the bridge. ---------10-10-----10-------10-10--.| ------------------------------------| ------------------------------------| (Palm Muted) Here's the riffs for the part after the bridge: > P > -10-7------||---P-----||-----H--P-----------------|--------------------------| ------10~~-||-12-10~~-||-10-8-10-8----H-P---------|(8)----8---8-10-10/12-(8)-| -----------||---------||-----------9-7-9-7---7/9~-|-9-9-9---9------------9-9~| -----------||---------||-------------------9------|--------------------------| -----------||---------||--------------------------|--------------------------| -----------||---------||--------------------------|--------------------------| Then there's the outro: (Repeat 7 times) -------------------------|-------------------------------------| -12~-10~-12~-8~----8~---.|--H--8---H--8--H------------8-7-8~~--| ----------------7~-------|-7-9----7-9---7-9-9-7-9-9/11---------| ------------------------.|-------------------------------------| -------------------------|-------------------------------------| -------------------------|-------------------------------------| And that's about all of it. There's some interesting guitar stuff on all the songs on this CD, no shredding, or incredible chops, but Mike Campbell & Danny Kortchmar definately have STYLE!! If you don't have this CD (Building The Perfect Beast), BUY IT!!! It's an awesome CD...All She Wants to Do is Dance, Sunset Grill, Drivin' With Your Eyes Closed, and of course this song are all AWESOME tunes!!! (I should be posting Drivin' With Your Eyes Closed soon) *** SOLO ACOUSTIC VERSION **** "The Boys of Summer" Don Henley and Mike Campbell, 1984 Don Henley Building the Perfect Beast Geffen 24026-2 If you'd like to do a solo acoustic version, might I suggest the following. It alludes to the keyboard sections to give a bit of a fuller sound. For guys like me, the ladies seem to rather appreciate this rendering. Let the bass notes ring throughout. I suggest strumming in a down, down, up, down pattern (tho' not so rigidly as my meager tab implies.) On the G, you may substitute [for the B] or add the root G shown in brackets below. To me, the chorus has more power playing the full G chord after playing G/B in the verses. I've not heard Mr. Henley do an acoustic version, but surely one exists, if someone would point me in the right direction. G/B (four times) C (four times) D (four times) C (four times) -3---3---2-------|-3---3---2-------|-3---3---2-------|-3---3---2-------| -3---3---3---3--.|-3---3---3---3--.|-3---3---3---3--.|-3---3---3---3--.| -0-------0--[0]--|-0-------0--[0]--|-2-------2--[2]--|-0-------0--[0]--| -0-------0------.|-----------------|-0---------------|-----------------| -2---------------|-3--------------.|----------------.|-3--------------.| [3]--------------|-----------------|-----------------|-----------------| I play it according to the following map: Full verse intro Verse One Chorus One [G, D, D, C twice, as Eric kindly showed us] Full verse break Verse Two Chorus Two [Skip the lead] Full verse break Verse Three Choruses Three and Four and then i do this little outro reminiscent of the real one: {3 or 7 times} (slowin' down --) -/7-5-7---3---3--|-----3-----3-----3-----3---2~--3--- ------------3---.|-3h5---3h5---3h5---3h5---------3--- -----------------|-------------------------------0--- -----------------|-------------------------------0--- ----------------.|----------------------------------- -----------------|-------------------------------3--- If my guitar is tuned right today, the album version is tuned a half step down, which may explain away some confusion some of you may have. Tuning down is probably smart as that chorus is a booger to sing. Thanks Eric. Michael B electrkeye@aol.com