Tabs
The Red Rose And The Briar
==========================
by John Wesley Harding
written by David Lewis & John Wesley Harding
from the album "Here Comes The Groom"
INTRODUCTION
In the tablature for the introduction, the symbols "^" and "v" denote
down-strums and up-strums. The C-chords are played using the {310230}
fingering by Wes, but the {010230} fingering isn't very different. It
sounds pretty good if you change the pattern slightly, too - either by
doing only single downstrums (no upstrums) in most of the intro, or by
playing with fingers, using the thumb to play the bass run and the
index, middle and ring fingers to play the treble chords. Wes plays
with a pick, and I've found my usual favourite (a 0.60 mm John Dunlop
nylon type) too stiff to comfortably do the double strums at the right
speed. My only thinner pick was a 0.38 mm Jim Dunlop nylon pick which
makes the double strums easy but is a bit too pliable to let me
emphasise the bass runs, so I got a 0.46 mm JD which is the best for
my acoustic guitar but the optimum depends on you and your guitar.
CHD:G+G
C majorC
E minorEm ^ v ^ v ^ v ^ v ^ v ^ ^ v ^ |------3-------3-------3-------3--|------3---------------0----------| |------0-------0-------1-------1--|------0---------------0----------| |------0-------0-------0-------0--|------0---------------0----------| |---------------------------------|---------------------------------| |----------0h2-----3-------2p0----|---------------------------------| |--3------------------------------|--3-----------2-p-0-----------2--| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . CHD:
BB
A augmentedA] and instructions in curly backets {PLAY INTRODUCTION}.) {PLAY INTRODUCTION}
C/BC/B
A minorAm I was almost dying ..
D MajorD [
{REPEAT INTRODUCTION TWICE}
G+G C majorC G+G
The waitress told ...
G+G C majorC C/BC/B A minorAm
She'd always meant ..
G+G C majorC G+G
She wiped her cup on ...
G+G C majorC D MajorD [C majorC BB A augmentedA]
As we waited for yo..
D MajorD D/C D/C D/B
And I told her ...
A minorAm Am/B C majorC D MajorD
But left the ...
G+G C majorC G+G G/F# E minorEm
You still weren't there ...
Em/F# G+G C majorC G+G
So I skipped ou...
G+G C majorC G+G
I skipped out on the ...
G+G C majorC G+G
The newsagent grinned, he ...
G+G C majorC A minorAm
You bought a local paper ...
G+G C majorC G+G
And the washroom attendant ...
G+G C majorC D MajorD [C majorC BB A augmentedA]
That you'd left but ...
D MajorD D/C D/C D/B
And I couldn't figure ...
A minorAm Am/B C majorC D MajorD
So I went back to look ..
G+G C majorC G+G G/F# E minorEm
There's nothing there where ...
Em/F# G+G C majorC G+G
Just oil on ...
G+G 
G/BG/B C majorC D MajorD [C majorC BB A augmentedA]
Just oil on dirt a....
D MajorD D/C D/C D/B
There's nothing there in ..
A minorAm Am/B C majorC D MajorD
But the ghost of the ...
G+G C majorC G+G G/F# E minorEm
And there's nothing there ...
A minorAm C majorC D MajorD
I sing the red rose ...
A minorAm C majorC D MajorD
I sing the red rose ...
A minorAm C majorC D MajorD [
E MajorE 
F#F#] (G+G in intro)
{REPEAT INTRODUCTION}
G+G C majorC G+G
I saw it parked ...
G+G G/BG/B C majorC C/BC/B A minorAm
In a garage off ...
G+G C majorC G+G
And a man said, "...
G+G C majorC D MajorD [C majorC BB A augmentedA]
I just traded that wreck ...
D MajorD D/C D/C D/B
There was nothing left ...
A minorAm Am/B C majorC D MajorD
Not even the ...
G+G C majorC G+G G/F# E minorEm
And I couldn't figure ...
G+G C majorC G+G
So I went back to ...
G+G , C majorC G+G
The Cafe Rouge was ...
G+G C majorC C/BC/B A minorAm
Of regulars ..
G+G C majorC G+G
And the service in there left ...
G+G G/BG/B C majorC C/BC/B D MajorD [C majorC BB A augmentedA]
All the regulars were ...
D MajorD D/C D/C D/B
I saw an apron ...
A minorAm Am/B C majorC D MajorD
A augmentedA note said, "Hey John, ...
G+G C majorC G+G G/F# E minorEm
And I just smiled ...
G+G C majorC G+G
So I put the ...
G+G C majorC D MajorD [C majorC BB A augmentedA]
I put the ..
D MajorD D/C D/C D/B
Still nothing there in ...
A minorAm Am/B C majorC D MajorD
But the ghost of the ..
G+G C majorC G+G G/F# E minorEm
Well I just put the ...
A minorAm C majorC D MajorD
I sing the red rose ...
A minorAm C majorC D MajorD
I sing the red rose ..
A minorAm C majorC D MajorD
I sing the red rose and..
A minorAm C majorC D MajorD [E MajorE F#F#] (G+G in intro)
I sing the red .....
{REPEAT INTRODUCTION TWICE}
G+G
In Scarlet town ...
C majorC G+G
There was a ...
G+G G/F# E minorEm 
E minor 7Em7
Oh, the colour of her ....
A minorAm
And her name......
C majorC A minorAm
And her name was......
C majorC A minorAm
And her name was...... <Barbara Allan, apparently - Note 0>
C majorC D MajorD [E MajorE F#F#] (G+G in intro)
{REPEAT INTRODUCTION} G+G
=============== THE END ================
NOTES
=====
0. According to Stephen M. Webb <[email protected]>, "her name was..."
Barbara Allan as in the song "Barbara Allan" which takes place in
`Scarlet Town where I was born,' ends up with a rose and briar.
I don't have this song, so I didn't know this. I though it might have
been Helen from "I went to visit Helen by St. Helen's Park" (which is
in Hastings, where Wes used to live) from the song "Pound, Pound, Pound"
on the live & unaccompanied album "It Happened One Night".
1. Many thanks to Patrick Barnett <[email protected]> for his
generosity and help in compiling this posting and Chris Inglesi
<[email protected]> for pointing out the fact that it's "fair maid
dwellin'" rather than "family dwellin'" which I had at first.
2. All the chords are pretty much the basic fingerings but Wes uses a
modified E minorEm [0 2 2 0 0 3] and E minor 7Em7 is [0 2 0 0 0 0]. For those of you
unfamiliar with CRD notation, the chords with a slash such as C/BC/B denote
chords played with a different bass-note to usual. The part before the
slash is the chord and the note after it is the bass note. So C/BC/B is a
basic C majorC chord [0 3 2 0 1 0] but with the bass-note changed to BB becoming
[x 2 2 0 1 0]. In fact you needn't worry too much about the 2nd fretted
D MajorD string. What is important to note is that the bass-note is played on
the most convenient string, not always on the bass-E string. In this
song, the bass-note doesn't actually have to be the lowest note played -
I've used this notation to denote the bass notes in the bass-strum
style.
3. Feel free to email me with any comments (see header for email address)
or to request tabs for songs. If you have a favourite JWH song you'd
like me to have a go at, let me know. I now have the four full albums,
"The Name Above The Title", "It Happened One Night", "Why We Fight" and
"Here Comes The Groom". If I haven't got the songs, I could only do
them if you send me an audio tape with them on. If you could work out
the lyrics, that would be a great help. The songs I've tabbed/chorded
so far are:
From "The Name Above The Title":
I Can Tell (When You're Telling Lies)
Save A augmentedA Little Room For Me
The People's Drug
The Person You Are
Long Dead Gone } lyrics supplied by
Backing Out } Alan Pulliam - thanks
from "It Happened One Night":
Roy Orbison Knows (The Best Man's Song)
- thanks to Will Vaughan & "Sen"
Kiss/Lovers' Society {coming shortly}
and from "Here Comes The Groom"
The Red Rose And The Briar } thanks to Patrick Barnett
and coming soon, the version not from "Here Comes The Groom" of
When The Sun Comes Out } thanks to Patrick again
These are archived on the guitar tab archives, ftp.nevada.edu and its
mirror sites such as ftp.uwp.edu - you can find local mirror sites by
using a program such as "archie". Cal Woods & Jim Carson, the new
maintainers of the Nevada archive have kindly placed in it a file to aid
archie searches. It is called "Nevada.Guitar.Archive". You can find
the guitar directory of any nearby mirror sites using:
unix% archie -m5 -N Nevada.Guitar.Archive
Host unix.hensa.ac.uk
Location: /pub/uunet/doc/music/guitar
FILE -r--r--r-- 80 Jun 16 09:21 Nevada.Guitar.Archive
Wes's tabs are archived under ? /guitar/h/john_wesley_harding
4. The FTP archive at Trinity College Dublin (ftp.maths.tcd.ie) has also
uploaded a lot of Wes songs in the directory:
/pub/music/guitar/h/john_wesley_harding
In addition to the songs I've worked out, there is a copy of Crystal
Blue Persuasion, originally by Tommy James and the Chandelles (sp )
which appears on "The Name Above The Title". There doesn't appear to be
a mirror site to Trinity College Dublin.
5. Enjoy!
Regards,
Ryan Kingsley Harding (no relation at all to Wes, aka. Wesley Harding Stace)
^^^^^^^^^^^^ ^^^^^^^^^^^^
----------------------------------------------------------------------------
Ryan Harding Applied Optics Group, University of Kent at Canterbury, UK.
----------------------------------------------------------------------------
"Now no-one's sitting on the fence, whose garden will we end up sitting in "
- John Wesley Harding, "The Person You Are" from "The Name Above The Title"
----------------------------------------------------------------------------
ⓘ Guitar tab for 'The Red Rose And The Briar' by, formed in 2000
