Once again it's another difficult-to-hear song. Hmmm. I think what I've done
for this sounds as close as I can get to the real thing (once again from the
"the Nephilim" album). I play the clean sound with a bit of chorus, and I put
some delay into the distortion as well.
For comments, corrections, etc. contact me through Mad Marcus B at
M.T.Billington@MCS.Salford.ac.uk
Love Under Will
~~~~~~~~~~~~~~~
By Fields of the Nephilim
~~~~~~~~~~~~~~~~~~~~~~~~~
Tabbed by Pope Bovophobe V
~~~~~~~~~~~~~~~~~~~
(Version datestamp 17.2.95)
🎸
Accuracy Rating: - Votes: -
Riff 1- Guitar 1, distortion.
~~~~~~~
e|---------------------------------------------------------
B|---------------------------------------------------------
G|---------------------------------------------------------
D|--------2----/7-5--2-------------------------------------
A|-0--2-3---2----------------------------------------------
E|---------------------------------------------------------
Riff 2- Guitar 2, clean.
~~~~~~~
e|-----0-----0--2----0----2--------------0---------0--------------------------
B|---0-----0------0----0----------3----3---3---3----------1-----1-3-----1---3-
G|-----------------0------------2----2-------2---2------0-----0-----0-----0---
D|-2----2---------------------0----0----------------------------------2-------
A|----------------------------------------------------3-----3-----------------
E|----------------------------------------------------------------------------
e|-----------------------0-----
B|-------------3---------------
G|-----4-----4---4---4---------
D|---4-----4-------4---4-------
A|-2-----2---------------------
E|-----------------------------
Riff 3- Guitar 1, distortion.
~~~~~~~
e|-----------------------------------------------
B|-----------------------------------------------
G|-----------------------------------------------
D|-7--------------------5--------------------10--
A|-7--------------------5--------------------10--
E|-5--------------------3--------------------8---
Riff 4- Guitar 2, clean.
~~~~~~~
e|-----0-----0--2----0----2--------------0---------0-------------
B|---0-----0------0----0----------3----3---3---3----------1-----1
G|-----------------0------------2----2-------2---2------0-----0-- no pause
D|-2----2---------------------0----0----------------------------- between
A|----------------------------------------------------3-----3---- this &
E|--------------------------------------------------------------- next bit
e|-7-----5-------------5-----7-----5------------------- stress the notes on
B|---5-----5---------5---5-----5-----5----------------- the e string
G|-----5-----5-------------5-----5-----5---------------
D|-----------------------------------------------------
A|-----------------------------------------------------
E|-----------------------------------------------------
Notes
~~~~~
There seems very little point in typing out the order in which you play the
riffs. Riffs 3 and 4 take over from the others about halfway through the song,
where Carl sings :"Hey, raise me... someone's gonna suffer".
The last quarter of riff 4 (with all the 5's and 7's) alters throughout the
last two minutes or so of the song. The only notes that change are those on
the top e string, and they play orders like: 5 7 7; 5 7 8; and basically just
rearrangements of those notes in different orders. The one I have written in
riff 4 seems to be the one played most frequently (it is also the first one
the play).
Riff 3 is in time with the chord changes, and the last power chord holds out
for the duration of two chord changes of the other guitar :(if you see what I
mean :(sort of :(wibble:):):).
Incidentally, if you prefer, you can play it using barre chords, on the 7th,
5th, 3rd and 2nd frets using an A minor shape but without the note on the G
string (no sad jokes please), but in my opinon it doesn't sound nearly as
good, as you lose that "twangy" sound. Incidentally, I'm crap at chord names,
as you may have guessed.
Swiftly moving on...
~~~~~~
Pope Bovophobe V is Arch Cyberpope, Ordo Templi Thermophilic Philopoles, C.P.P.
"Skill without imagination is craftsmanship and gives us many useful objects
such as wickerwork picnic baskets. Imagination without skill gives us modern
art"
-Tom Stoppard, from "Artist Descending a Staircase"

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